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14 feb 2023 · 8½, uno dei capolavori di Federico Fellini, compie 60 anni. Uscì nelle sale italiane il 14 febbraio 1963 riscuotendo da subito un enorme successo di pubblico e critica. Scritto dal regista ...
24 ott 2023 · 8½ va in onda stasera su cine 34 alle 23.04. Un prodotto che ha segnato la storia del cinema italiano, vincitore dell’Oscar per miglior film straniero nel 1964. In tutta la pellicola si mescolano sogni e personaggi, con una risoluzione tendente al mistico sul finale.
12 gen 2010 · 8½: a bizarre and puzzling title, but one precisely appropriate for this film, which announces in its first frame that modernism has reached the cinema. If the mark of modernism in art is self-reference, 8½ surely goes beyond any predecessor in having itself as its subject. By 1963, Federico Fellini had made, by his count, seven and a half films. Hence 8½ is like an opus number: this is ...
Click aici pentru a te autentifica. 8½ - Opt și jumătate. Distributie Claudia Cardinale, Marcello Mastroianni. Regizat de Federico Fellini. Sinoposis 8½: "Realitate, amintiri, fantasme si creatie cinematografica la rascruce de drumuri. Un film fabulos, vartej de imagini de neuitat.
8.9. /10. 22,939Ratings. Synopsis. Struggling to find inspiration for his next project, acclaimed director Guido Anselmi wrestles with his dreams, memories and desires in his search for creativity. Blending visions with reality, his artistic crisis leads him down many a strange and twisted paths, as his life unravels around him.
28 mag 2000 · But "8 1/2" is not a film about a director out of ideas--it is a film filled to bursting with inspiration. Guido is unable to make a film, but Fellini manifestly is not. Mastroianni plays Guido as a man exhausted by his evasions, lies and sensual appetites. He has a wife ( Anouk Aimee ), chic and intellectual, who he loves but cannot ...
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
