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The Perks Of Being A Wallflower. Socially awkward Charlie (Logan Lerman) is a wallflower watching from the sidelines, until a pair of charismatic seniors (Emma Watson and Ezra Miller) takes him under their wing. Based on the young adult novel by Stephen Chbosky. Rentals include 30 days to start watching this video and 48 hours to finish once ...
- 102 min
Pas raccord (titre original : The Perks of Being a Wallflower) est un roman épistolaire de l'auteur américain Stephen Chbosky, en partie autobiographique, et vendu dans plusieurs pays. Réédité de nombreuses fois, il est désormais connu sous le titre Le Monde de Charlie depuis novembre 2012. C'est aussi sous ce nom qu'il a été adapté au ...
Toen Stephen Chbosky in 1999 zijn semi-autobiografische boek The Perks of Being a Wallflower zag verschijnen, nam hij zich voor het op een dag zelf te verfilmen. Dat bleek een haalbare kaart voor de schrijver / scenarist die op dat moment ook al de regie van de lowbudgetroadmovie The Four Corners of Nowhere (1995) op zijn naam had staan.
Charlie, the fifteen-year-old narrator of The Perks of Being a Wallflower, has just entered his freshman year of high school when the book begins. Charlie is the eponymous “wallflower.” He is quiet and withdrawn, but he is also extremely observant and thoughtful, always paying close attention to everything going on around him, even if he is only a silent witness.
The Perks of Being a Wallflower also harkens back, perhaps unintentionally, to one of the first works of young adult literature called Seventeenth Summer by Maureen Daly. Also written as an epistolary novel, Seventeenth Summer tells the story of a young woman who, like Charlie, navigates her first romantic relationship while developing her identity as a young adult.
The Perks of Being a Wallflower ist der englische Originaltitel: des Romans Vielleicht lieber morgen (Alternativtitel: Das also ist mein Leben) des Films Vielleicht lieber morgen (Film) Kategorie: Begriffsklärung.
Full Book Analysis. The Perks of Being a Wallflower follows Charlie as he struggles with grief over the loss of his best friend Michael and his Aunt Helen while simultaneously attempting to be a more active participant in his own life. The two journeys work against each other – Charlie’s trauma and sorrow make him come across as reclusive ...
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