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Jean de Florette (Gérard Depardieu) eredita un terreno in Provenza dove vorrebbe trasferirsi con la famiglia ad allevare conigli, ma si scontra duramente con i vicini (Daniel Auteuil e Yves Montand) che vogliono impadronirsene a tutti i costi.
The point of the film is not to create suspense, but to capture the relentlessness of human greed, the feeling that the land is so important the human spirit can be sacrificed to it. To create this feeling, Berri stands well back with his camera. There are not a lot of highly charged closeups, to turn the story into a series of phony high points.
Petit et laid, Ugolin, le dernier des Soubeyran, revient du service militaire. Il retrouve son oncle, le Papet, à qui il dévoile son projet : rester au pays pour cultiver des oeillets. Convaincu que l'affaire peut être rentable, le Papet accepte de financer l'entreprise. Il faut donc trouver une terre, ensoleillée bien sûr mais surtout bien arrosée. Celle de Pique-Bouffigue ferait l ...
French. Publication date. 1963. Published in English. 1966. The Water of the Hills ( L'Eau des collines) is a two-volume novel by the French writer and director Marcel Pagnol, made up of Jean de Florette and Manon des sources, both originally published in 1963. It was first translated in English in 1966, under the title Manon of the Springs. [1]
Jean de Florette spielt im Film Mundharmonika. Das Mundharmonikathema wird an mehreren Stellen des Films zitiert und vom belgischen Jazzmusiker Toots Thielemans gespielt. Das Leitmotiv der Musik ist der Oper Die Macht des Schicksals (La Forza del Destino) von Giuseppe Verdi entnommen. Kritiken
Jean de Florette is the first part of L’eau des collines, the novel diptych by Marcel Pagnol, which was adapted to the cinema by Claude Berri in 1986 (with masterly performances by Gérard Depardieu, Daniel Auteuil and Yves Montand). In a small village in Haute Provence, Le Papet and Ugolin covet a piece of land where a spring flows.
5 gen 2017 · Jean de Florette and Manon des Sources were both filmed over seven months in 1985. The screenplays were adapted by Claude Berri (with help from Gérard Brach – Roman Polanski’s old mate) from an earlier 1952 film by Marcel Pagnol, which he subsequently novelised into two books in the 1960s – collectively brought together under the title L’eau des Collines (‘The Water of the Hills’).
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