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  1. Abstract. In these diary entries written between January and December 1944, Hollywood screenwriter Charles Brackett lists his activities: calling on Buddy De Silva, suggesting the possibility of doing The Count of Luxembourg with Bob Hope; finishing Thieves Like Us and beginning Amok; going to see the first sneak preview of Double Indemnity; going to De Sylva's office with Billy Wilder to ...

  2. Brackett won a second "best screenplay" Oscar for 1953's Titanic (1953); he was also president of the Academy of Motion Picture Arts and Sciences from 1949 through 1955. After working on the 1962 remake of State Fair, Charles Brackett fell seriously ill and reluctantly went into retirement.

  3. Donald Brackett is a Vancouver-based popular culture journalist and curator who writes about music, art and films. He has been the Executive Director of both the Professional Art Dealers Association of Canada and The Ontario Association of Art Galleries, and a curator of film programs for Cinematheque, in addition to writing numerous gallery and museum exhibition catalogue essays.

  4. 13 mar 2002 · In the 1940s the screenwriting partnership of Charles Brackett and Billy Wilder yielded hit after hit for Paramount. Then in 1950 as Sunset Boulevard opened and Oscar nominations looked certain, Wilder announced that he wanted to call the partnership quits. Ace in the Hole was to be Wilder’s attempt to make a personal film.

  5. 7 ago 2016 · Unlike Wilder, Charles Brackett (1892-1969) was a long-established American. Indeed, Brackett’s family could trace their roots back to the arrival of their ancestor Richard Brackett at the Massachusetts Bay colony in 1629, one of the earliest colonial outposts in America.

  6. Charles BRACKETT | Cited by 198 | of Geisel School of Medicine at Dartmouth, Hanover (DMS) | Read 20 publications | Contact Charles BRACKETT

  7. Synopsis. An aging silent film queen refuses to accept that her stardom has ended. She hires a young screenwriter to help set up her movie comeback. The screenwriter believes he can manipulate her, but he soon finds out he is wrong. The screenwriter’s ambivalence about their relationship and her unwillingness to let go leads to a situation of ...

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