Risultati di ricerca
Barnett Newman was an influential American artist best known for his involvement in Color Field painting. Newman composed his paintings with crisp edges and lines of pure color that focus on form. One of the artist’s best-known works is The Stations of the Cross (1958–1966), a series of 14 black-and-white paintings that explore religion through abstraction.
Les années 50. Quelques problèmes de l'art contemp…. 30 juin - 17 oct. 1988. Terminé. Exposition / Musée. Barnett Newman. Dessins 1944-1969. 14 nov. 1980 - 4 janv. 1981.
22 feb 2024 · Barnett Newman, Broken obelisk La sua opera più grande, Broken obelisk , rappresenta un obelisco rovesciato apparentemente spezzato, in appoggio sulla punta di una piramide. La sospensione precaria crea una forte tensione visiva, intrinsecamente dinamica, ma allo stesso tempo impregna l’opera di un assoluto equilibrio in senso più ampio.
28 gen 2023 · Barnett Newman, Pagan Void, 1946, National Gallery of Art, Washington, DC, USA. In 1948, he painted Ornament I, a piece that proved Newman had found his own voice. A vertical band, he called it a “zip”, connected the upper and lower margins of the painting. The zips stand out from fields of color in sparse compositions.
Barnett Newman (29 janvier 1905, New York – 4 juillet 1970, New York) est un peintre américain. Il est l'un des représentants les plus importants de l' expressionnisme abstrait et l'un des premiers peintres de la Colorfield Painting .
6 ago 2021 · The main aim of the article is to explore the conceptual genesis of Barnett Newman’s artistic «sublime». To do this, ample attention is paid to a 1947 critical text in which Newman articulates in philosophical terms a polarity that will rest fundamental in his pictorial practice: that between the “transcendence of objects” and the “reality of transcendental experience”.
Barnett Newman was born on January 29, 1905, in New York. In 1922 he studied at the Art Students League, where he became friends with Adolph Gottlieb. The following year he enrolled at the City College of New York. In 1931 he began to teach art as a substitute teacher in public schools in New York City.
