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  1. Dante Lab, which was first presented at Dartmouth College in 2013 at the Digital French and Italian Symposium, would not exist without the Dartmouth Dante Project. The DDP was originally developed by Robert Hollander, a visiting professor at Dartmouth College during several summers between 1982 and 1988, when the project opened to public use.

  2. The Princeton Dante Project opened for local use on 18 May 1999.The PDP combines a traditional approach to the study of Dante's Comedy with new techniques of compiling and consulting data, images, and sound. The text of Dante's poem is always at the center of the user's attention, and he or she is able to consult, within the confines of the PDP ...

  3. Using the Dartmouth Dante Project The Structure of the Database. Dante composed the Commedia in three cantiche (“canticles”) named Inferno, Purgatorio, and Paradiso. Each canticle contains 33 or 34 “cantos.” Each canto contains between 115 and 160 verses, lines of poetic text.

  4. Italian. Original publication of this commentary by The Dartmouth Dante Project, 2003-2015. Editor: Nicola Fosca and Robert Hollander. Commentary text is copyrighted and reproduced by permission. Dante Lab at Dartmouth College: a customizable digital tool for scholars of Dante Alighieri's Divine Comedy.

  5. This is to take issue with Hollander's earlier view (Allegory in Dante's “Commedia” [Princeton: Princeton University Press, 1969], pp. 152-53). For 77 screens of text in the Dante Dartmouth Project dedicated to the problem of Matelda see Scartazzini (comm. to verse 148), with an immense bibliography even though it reaches only to 1873.

  6. Dante Lab, which was first presented at Dartmouth College in 2013 at the Digital French and Italian Symposium, would not exist without the Dartmouth Dante Project. The DDP was originally developed by Robert Hollander, a visiting professor at Dartmouth College during several summers between 1982 and 1988, when the project opened to public use.

  7. Most of them offer digital editions of Dante's works with commentaries, textual search, and multimedia resources. For example, the Dartmouth Dante Project (DDP) 3 was launched in 1985 with the aim of publishing the full searchable text of the Divine Comedy and several of its commentaries in digital format [10].