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4 ago 2020 · Locarno Entry ‘Human Flowers of Flesh’ to Shoot with ‘Dogtooth’s’ Angeliki Papoulia, ‘Holy Motors’ Star Denis Lavant (EXCLUSIVE) By John Hopewell. Credit: Fünferfilm/Luc VALIGNY ...
Angeliki Papoulia was born in Athens, Greece. She is an actor and theatre director. She graduated from the National and Kapodistrian University of Athens (Department of Theatre Studies) and the Empros Theatre Drama School in 2000. She speaks English and French. In 2004 she co-founded the blitz theatre group (2004 - 2017). She has written, co-
The School for Wives - Angeliki Papoulia. The School for Wives (Agnès) Lefteris Vogiatzis, 2004. Arnolphe a wealthy man, has his ward Agnès, at age four, confined to a convent until she comes of age, and plans to marry her. He thinks himself clever and protected from any future unfaithfulness. However, his misguided plan leads to some ...
8 lug 2023 · Touched. Regia di Claudia Rorarius . Un film con Angeliki Papoulia, Camille Dombrowsky, Dimitra Vlagopoulou, Maj-Britt Klenke . Cast completo Genere Drammatico - Germania , 2023 , durata 135 minuti. Maria deve affrontare una relazione che si fa poco poco sempre più tossica.
Angeliki Papoulia ( Greek: Αγγελική Παπούλια; born 1975) is a Greek actress and theatre director. In film, she is most notable for her roles in Dogtooth, Alps and The Lobster by Yorgos Lanthimos, and A Blast and The Miracle of the Sargasso Sea by Syllas Tzoumerkas. For her part in Dogtooth she was awarded with a Heart of ...
Angeliki Papoulia was born in Athens, Greece. She graduated from the Athens University (Theatre Studies) and the “Empros” Theatre Drama School in 2000. She played the leading role in DOGTOOTH, a Yorgos Lanthimos’s film that won the “Prix Un Certain Regard” of the 2009 Cannes Film Festival and was nominated for the Best Foreign Language Film at the 83rd Academy Awards.
I’m Sarah Kane. I hung myself using my shoelaces. I miss love. I’m Intershop. I closed in 1989. I miss the smell of soaps and ice creams. This endless parade of names and things crosses the centuries and the history of mankind, constantly playing with the crucial and the meaningless, with the comical and the dramatic, with the ridiculous and the sublime.
