Risultati di ricerca
11 ago 2023 · Fille du dramaturge et Nobel de littérature Eugene O’Neill, elle épousa, à 18 ans, Charlie Chaplin, qui avait trois fois son âge. Uni par un amour absolu, ce couple fusionnel donna naissance à huit enfants, partageant, cœur scellé, les sommets de la gloire et les peines de l’exil. Jusqu’à la disparition du génie du cinéma qui renvoya Oona, rongée par le chagrin, à ses démons.
5 feb 2024 · Agnes Boulton (September 19, 1893 November 25, 1968) was a Britishborn American pulp fiction writer in the 1910s, later the wife of Eugene O'Neill. Boulton was born in 1893 in London, England, the daughter of Cecil Maud (Williams) and Edward William Boulton, an artist.
De Wikipedia, la enciclopedia libre. Agnes Ruby Boulton (19 de septiembre de 1893 - 25 de noviembre de 1968) fue una escritora estadounidense de relatos para revistas pulp, activa durante la década de 1910. Agnes Boulton. Información personal.
12 set 2007 · "Part of a Long Story" is a must-have for anyone who is seriously interested in examining the life of Eugene O'Neill, or Agnes Boulton for that matter. In any case, the book achieves it true purpose: the crowning glory of the woman who successfully took her rightful place in history as the second Mrs. O'Neill along with all the heartache and glory that went along with it.
- Agnes Boulton
Abstract: The collection consists of writings, correspondence, and other papers broadly relating to Agnes Boulton. Writings include a typescript for Agnes Boulton's memoir about her marriage to Eugene O'Neill, Part of a Long Story (1958), and a partial typescript of Trouble in the Flesh (1959) by Max Wylie, as well as handwritten and typed notes (perhaps those of Boulton) for story and play ideas.
10 gen 2014 · Part of a Long Story. : Agnes Boulton's memoir of her first two years of marriage to Eugene O'Neill was published in 1958, two years after the premiere of O'Neill's masterpiece, Long Day's Journey into Night. Contemporary critics dismissed the book as impressionistic, and it received little popular attention. Now held as a classic depicting one ...
Boulton very nearly makes a similar point in her memoir when she recalls meeting James O’Neill Jr. for the first time. Her description of “the face that had helped [Jamie] make a success in The Traveling Salesman … gave exactly the idea of the traveling man, ‘the drummer’” (18) offers a conceivable model for Hickey in The Iceman Cometh.
