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Our Miss Brooks. The successful 1950s sitcom Our Miss Brooks was, heart and soul, actor Eve Arden. A Hollywood film and New York stage veteran, Arden specialized in playing the wisecracking friend to the heroine. She often did it better than anyone else, achieving her greatest success with an Oscar nomination for 1945's Mildred Pierce.
7 Our Miss Brooks 480719 001 First Day 29:53. 8 Our Miss Brooks 480919 007 Weekend At Crystal Lake 23:40. 9 Surprise Party 29:15. 10 Clay City Football Game 28:57. 11 Connie the Workhorse 30:21. 12 Our Miss Brooks 481114 015 Babysitting for Three 29:31. 13 Our Miss Brooks 481121 016 Model School Teacher 29:56.
4 set 2007 · Sixty-eight percent of Our Miss Brooks' episodes were unknown or missing; that is, until "Jeff Chandler - Film, Record, Radio, Television and Theater Performances" by Jeff Wells (McFarland, 2005). The biography has titles and dates aired for the years that Chandler was contracted by CBS Radio (1947 to 1953); it's the most complete list known to exist of the cast and crew for the first five ...
26 feb 2016 · Our Miss Brooks (1956)http://www.imdb.com/title/tt0048459Our Miss Brooks was considered groundbreaking for showing a woman who was neither a scatterbrained k...
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Our Miss Brooks was a popular early sitcom starring Eve Arden, which ran on CBS radio (1948–57) and television (1952–56). The series concluded with a movie adaptation in 1956. Arden plays Connie Brooks, a benevolent, wisecracking English teacher at Madison High School who deals with her surrounding cast of characters including her ...
29 apr 2024 · Our Miss Brooks starring Eve Arden Who played the fun-loving but sometimes frazzled English teacher at Madison High School, Our Miss Brooks . Probably the most famous teacher ever on radio, Connie Brooks was a wonderful combination of sincere and smart, and Eve Arden played her perfectly.
Our Miss Brooks has a crew who came mostly out of the movies, including Oscared cinematographer Joseph LaShelle and producer David Weisbart, a year after he oversaw Rebel Without a Cause, and all combined, they're just about able to force a kind of cinematic visual scale onto the material that balances out, if not exactly compensates for, the grimly by-the-numbers screenwriting.
