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György Kurtág’s aphoristic stutters, whispers and sighs – the painstaking development and fusion of intervallic relationships and timbre, the fragility of a butterfly’s wing married to a framework of steel – would seem to be the perfect idiom. But, at the end of this UK premiere of Kurtág’s 2018 opera, performed at the Proms by the ...
18 nov 2010 · György Kurtág, his wife Marta and other musicians closely associated with them appear in person in London fairly frequently. Indeed, some in the audience at the Barbican were long time friends. Perhaps Sellars’ staging might have impressed audiences that don’t know the music, or put them off entirely.
10 gen 1996 · Musik für Streichinstrumente continues ECM's association with Hungarian composer György Kurtág, initiated with the recording of his Schumann tribute Hommage à R. Sch., op.15d, Jelek, op. 5, and the Neun Stücke für Viola solo (ECM New Series 1508).The new album, which focuses on chamber music written between 1959 and 1991, also marks the label debut of the Keller Quartet, increasingly ...
György Kurtág (Piano), Márta Kurtág (Piano) If any contemporary composer can persuade the musical world that compositions of between 30 seconds and four minutes in length are the natural vehicle for progressive post-tonal music, that... — Gramophone Classical Music Guide, 2010 More…. Catalogue No: 4535112. Label: ECM. Series: New Series.
24 feb 2017 · György Kurtág was born on 19th February 1926 at Lugoj in Romania, not far from the birthplace of fellow Hungarian György Ligeti.Both young composers hoped to study with Béla Bartók in Budapest in 1945, but Bartók died in America and Kurtág went on to study piano, composition and chamber music with other teachers at the Budapest Academy.
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This staged performance of Kafka Fragments by György Kurtág for soprano and violin, created by Netia Jones and Lightmap, was commissioned by the Royal Opera House, London, UK. The text fragments and images towards the video design are collected here. “Composition always has its own rules. What happens is what the composition wants, not what ...
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