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1. katakurifilms.com › 10-best-kenji-mizoguchi-films-of-all-time10 Best Kenji Mizoguchi Films of All Time

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   These factors ensure that “Woman of Rumor” is certainly one of the best Kenji Mizoguchi films of all time. 8. Miss Oyu (1951) “Miss Oyu” tells the tale of Shinnosuke, a polite and respectful young man arranged to meet a prospective bride, Shizu, in line with traditional Japanese customs. Shinnosuke’s encounter with the two women ...

2. www.cinematografo.it › news › al-cinemaPiacere, Kenji - Cinematografo

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   Kenji Mizoguchi nasce alla fine del XIX secolo a Tokyo, in una famiglia così povera da essere costretta a vendere la sorella come geisha, fatto che doveva influenzare profondamente il futuro regista, celebre soprattutto per i suoi sofferti e tragici ritratti di donne ed emarginati. Questa sua sensibilità viene affinata anche dagli studi ...

3. www.allocine.fr › personne › fichepersonne_gen_cpersonne=1489Kenji Mizoguchi - AlloCiné

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   Kenji Mizoguchi est un Réalisateur, Scénariste, Acteur japonais. Découvrez sa biographie, le détail de ses 84 ans de carrière et toute son actualité

4. www.newyorker.com › better-than-ozu-and-kurosawa-mizoguchiBetter Than Ozu and Kurosawa: Mizoguchi | The New Yorker

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   2 mag 2014 · When the Sight & Sound poll of the best movies of all time came out in 2012, one of its biggest surprises was the absence of any film by Kenji Mizoguchi from its highest reaches. By contrast ...

5. www.rottentomatoes.com › celebrity › kenji_mizoguchiKenji Mizoguchi | Rotten Tomatoes

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   Kenji Mizoguchi. Highest Rated: 100% Ugetsu (1953) Lowest Rated: 82% Street of Shame (1956) Birthday: May 16, 1898. Birthplace: Tokyo, Japan. Mizoguchi's life spanned the most important years of ...

6. ja.wikipedia.org › wiki › 溝口健二溝口健二 - Wikipedia

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   溝口健二. 溝口 健二 （みぞぐち けんじ、 1898年 〈 明治 31年〉 5月16日 - 1956年 〈 昭和 31年〉 8月24日 ）は、 日本 の 映画監督 である。. 日本映画 を代表する監督のひとりで、1920年代から1950年代にわたるキャリアの中で、『 祇園の姉妹 』（1936年）、『 残菊 ...

7. ca.wikipedia.org › wiki › Kenji_MizoguchiKenji Mizoguchi - Viquipèdia, l'enciclopèdia lliure

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   Kenji Mizoguchi va presentar, durant els inicis del seu cinema, certa influència del Hollywood clàssic dels anys 30 i 40. Aquesta estètica clàssica és observable a diversos dels primers films de l'autor, com ara a Elegia de Naniwa , que corrobora com el cinema japonès, tot i estar absolutament impregnat de la cultura japonesa, en un principi adopta determinats trets característics d ...