Risultati di ricerca
The film stars two of Itami’s regular actors, Nobuko Miyamoto as a geisha who brings luck to the men with whom she sleeps, and Masahiko Tsugawa as her unfaithful, sometimes partner. As well as showing her relationships with the man she loves and the men who employ her, it satirizes corruption and the influence of money in Japanese politics. Cast.
2 nov 2011 · Itami Juzo’s films are one of the reasons why I came to Japan in the first place, so I was excited to learn that he was a citizen of Matsuyama, with his own museum. Itami was a fascinating man. He wasn’t successful academically, but his childhood school notebooks and early artwork are both highly precise and beautiful to look at.
Juzo Itami, born Yoshihiro Ikeuchi, was a Japanese actor, screenwriter and film director. He directed eleven films, all of which he wrote himself. The son of Mansaku Itami, prewar director of satiric jidai-geki, Jūzō worked initially as an actor, appearing regularly in Japan and occasionally in English-language productions such as Lord Jim ...
Jūzō Itami è nato Yoshihiro Ikeuchi nel 1933 da Mansaku Itami, sceneggiatore e regista.Da bambino fu fortemente segnato dalla sconfitta giapponese nel 1945. Si è sposato per la prima volta con Kazuko Kawakita (1960–1966) poi con l'attrice Nobuko Miyamoto (1969–1997) che ha incontrato nel film di Nagisa Ōshima, About Japanese bawdy songs ( Nihon shunka-kô ?
Tales of a Golden Geisha (あげまん, Ageman), also known as A-Ge-Man, is a 1990 Japanese comedy film directed and written by Juzo Itami. It stars Nobuko Miyamoto as a geisha who brings good luck to her intimate companions (known as an "ageman", from 上げる ageru 'to raise up') and Masahiko Tsugawa as a man who crosses paths with her by chance.
Ratings. Biwako is a vain, middle-aged actress who witnesses a brutal murder. Realizing that the very public life of the woman makes their sole witness vulnerable to the killers, the police assign two officers to safeguard her until the trial. In the interim, the lives of Biwako and everyone around her are changed in unexpected ways.
Tampopo – Jūzō Itami (1985) “Tampopo” is often affectionately labeled as a “ramen western,” a playful twist on the classic spaghetti western genre. The story spotlights the culinary journey of a resilient widow named Tampopo, who is fueled by a deep-seated desire to breathe new life into her late husband’s once-thriving noodle shop.
