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On the last day of the G8 summit in Genoa in 2001, hundreds of police stormed the Diaz school, a temporary shelter for the many international protesters. For two hours, the police moved down its hallways, indiscriminately attacking everyone, sending dozens off to the hospital or a detention center.
Genua, Juli 2001: Nach vielen gewalttätigen Zusammenstößen zwischen Polizei und Demonstranten ist der G8-Gipfel fast vorüber. In der Diaz-Pascoli-Schule haben sich junge Frauen und Männer aus ganz Europa versammelt, um sich auszutauschen, und sind guter Dinge. Doch nichts hätte sie auf das Folgende vorbereiten können: Kurz nach Mitternacht stürmt die Polizei die Schule und schlägt mit ...
Diaz – Don’t Clean Up This Blood by Daniele Vicari ITA/ROU/FRA 2012, Panorama The G8 summit was drawing to a close and, at the Diaz Pascoli School in Genoa which had been set up as a social forum for journalists, the young people were in good spirits – in spite of the violent clashes with the police that had occurred during the previous days.
13 apr 2012 · Scheda dettagliata di Diaz - Don't clean up this blood, con trama, cast e tutte le info sul film; inoltre foto, video, trailer e recensioni della redazione e degli utenti #DiazDonTCleanUpThisBlood
In 2001, on the last day of the G8 summit in Genoa, just before midnight, more than 300 police officers stormed the Diaz School, looking for black bloc demonstrators. Inside the school were 90 activists, mostly students from around Europe along with a handful of foreign journalists, preparing to bunk down for the night on the school’s floors. As the police burst in, the young demonstrators ...
Synopsis. On July 19–21, 2001, over 200,000 people took to the streets of Genoa to protest against the ongoing G8 summit. Anti-globalization activists clashed with the police, with 23-year-old protester Carlo Giuliani shot dead after confronting a police vehicle. In the aftermath, the police organized a night raid on the Diaz high school ...
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Dabei gelingt es Diaz sehr gut erzählerisch zu überzeugen, die Balance zwischen Doku und Spielfilm ist jederzeit stimmig. Die Kamera ist zwar nicht gerade ruhig aber der Zuschauer wird auch nicht unnötig mit stümperhaften Wackeleinstellungen gequält. Die Schnitte sind nicht übermäßig schnell sondern gerade richtig.
