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Director, Franz Kline Paintings, 1950–1962. Elisabeth Zogbaum and the Franz Kline Foundation. Franz Kline was neither a record keeper nor a writer. He did not compose journals, and he kept no ledgers of his artworks. He wrote remarkably few letters, and most of these date to his early years. Kline was, however, a legendary raconteur.
Published on the occasion of the retrospective organised for the twentieth anniversary of the Castello di Rivoli and edited by Carolyn Christov-Bakargiev, this is the most up-to-date monograph on Franz Kline (1910-1962), the great American master of Abstract Expressionism and a leading protagonist of twentieth-century art.
20 ott 2004 · October 20, 2004 – January 30, 2005. Franz Kline (1910-1962) was one of the most important painters of the Twentieth century, significantly contributing to what became known internationally in the postwar period as Abstract Expressionism or Action Painting. Perhaps one of the last great artistic movements of modernism, the Abstract ...
23 mag 2017 · Kline è nato il 23 maggio 1910 a Wilkes-Barre, in Pennsylvania. Come fumettista per il giornale del suo liceo, Kline era uno studente abbastanza bravo da lasciare il paese delle miniere di carbone e frequentare la Boston University. Con una nascente ambizione artistica, andò a studiare alla Art Students League e poi alla Heatherly Art School ...
A Kline painting “pulsates” from border to border, the rectangular shape as much a part of the “event” as the inscriptions on the canvas. The last work belongs to Kline himself. In an interview with the poet and critic Frank O’Hara in 1958, Franz Kline observed with his characteristic simplicity and insight—
23 mag 2017 · Early Life. Kline was born on May 23, 1910 Wilkes-Barre, Pennsylvania. As the cartoonist for his high school newspaper, Kline was a good enough student to leave coal-mining country and attend Boston University. With budding artistic ambition, he went to study at the Art Students League, and then Heatherly Art School in London.
Kline’s use of color is personal, too, but in the sense of “I like green and purple” rather than “Cerulean, to me, is the sky.”. Apparently he shared none of Motherwell’s powerful, semisymbolist intentions. In almost all of Kline’s color abstractions— Scudera, his last work, and Red Painting, 1961, are exceptions—color is used ...
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