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It’s a classic Wikipedia wrongism and I should edit it!! ... Hugh Padgham was talking to Miloco in January 2010. Back to Producer Interviews. Comments are closed.
The prominent, and heavily processed, drum sound was influenced by Peter Gabriel's third album, on which engineer Hugh Padgham had processed Phil Collins' drums. Collins, in turn, was so impressed with the sound on The Flowers of Romance that he hired the album's engineer, Nick Launay, to reproduce the sound for his own projects.
Producer Hugh Padgham claimed that by the time of the recording sessions, Sting and Copeland "hated each other", with verbal and physical fights in the studio common. The tensions almost led to the recording sessions being cancelled until a meeting involving the band and the group's manager, Miles Copeland (Stewart's brother), resulted in an agreement to continue.
Invisible Touch was recorded between October 1985 and February 1986 at The Farm, the band's private recording studio in Chiddingfold, Surrey. They were joined by engineer and producer Hugh Padgham, who had worked with the band since Abacab (1981) and produced the album with the group, with Paul Gommersall as assistant engineer.
Produced by Collins along with Hugh Padgham, it was released as the first single from his number-one album ...But Seriously (1989). As with his song for Genesis , " Man on the Corner ", the track has as its subject the problem of homelessness and paradise ; [4] as such, the song was a substantial departure from the dance - pop music of his previous album, No Jacket Required (1985).
Este efecto, creado por Steve Lillywhite, Collins y Hugh Padgham, [11] apareció en las grabaciones de Collins y Genesis a lo largo de la década de 1980. El sonido distintivo fue identificado a través de experimentos de Lillywhite, Collins y Padgham, en respuesta a la solicitud de Gabriel de que Collins y Jerry Marotta no usaran platillos en las sesiones del álbum.
On the DVD The Genesis Songbook, the band and producer Hugh Padgham revealed that the inspiration for Collins' menacing laugh came from rap music pioneer Grandmaster Flash's song "The Message". From the 1983 Genesis Three into One Wavelength 3-LP vinyl radio show interview:
