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  1. 15 giu 2023 · Rehearsal photos for Steppenwolf Theatre’s production of Another Marriage by Kate Arrington and directed by Terry Kinney. Date: July 19, 2023 (left to right) Ensemble members Caroline Neff and Ian Barford in rehearsal for Steppenwolf Theatre’s world premiere of Another Marriage.

  2. 17 set 2015 · Photos for Steppenwolf's production of John Steinbeck's East of Eden, adapted by ensemble member Frank Galati and directed by co-founder and ensemble member Terry Kinney. East of Eden features ensemble members Kate Arrington, Francis Guinan, Tim Hopper and Alan Wilder.

  3. 20 mag 2023 · Steppenwolf’s upcoming world premiere of Another Marriage is written by Kate Arrington, directed by Terry Kinney and stars Judy Greer. (Photo by Kyle Flubacker) Lafayette Kyle Ford, Ensemble Member Alana Arenas, Trustee Chanel Coney, Adrianna Carrasco and Artistic Director Audrey Francis.

  4. Terry Kinney (born January 29, 1954) is an American actor and theatre director, and is a founding member of the Steppenwolf Theatre Company with Gary Sinise and Jeff Perry. Description above from the Wikipedia article Terry Kinney, licensed under CC-BY-SA, full list of contributors on Wikipedia.

  5. 9 feb 2022 · Terry Kinney is an American stage, film and TV actor well-known for being one of the co-founders, along with Jeff Perry and Gary Sinise, of the legendary Steppenwolf Theatre in Chicago. Born into ...

  6. interactive.wttw.com › remembering-chicago › steppenwolfSteppenwolf | WTTW Chicago

    Before Steppenwolf was internationally renowned, the iconic Chicago theater company was, even in its infancy, talented and ambitious. Highland Park High School classmates Rick Argosh and Leslie Wilson brought the idea of producing a play to recently graduated Gary Sinise, who agreed. Their first production, Paul Zindels And Miss Reardon Drinks a Little, was performed at a Unitarian church on ...

  7. 1 mag 2011 · Terry Kinney ’76 and Jeff Perry ’78 partnered with Gary Sinise to create Chicago’s Steppenwolf Theatre Company in the mid-1970s. They did so out of a resolve to continue developing as actors, never anticipating they would ultimately change the face of American theatre.