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15 mag 2024 · Steve Yedlin doesn't make a special case for the Arri Alexa. He argues that footage from any camera meeting basic specifications can be made to look indistinguishable from 35mm film, and that remaining differences are not of cinematic consequence.
28 apr 2024 · Steve Golding wrote:Yes I agree, that 1960s/70s Technicolor and Panavision look is what I expect movies to look like (probably because I grew up with it), and i have not yet seen it matched by digital cameras and grading yet.
2 giorni fa · Of course you can tell the difference. So can I and so can Steve Yedlin. Based on your statement, I think you completely missed Yedlin's point. He never said that viewers can't tell the difference between a 4K projection and 2K projection.
3 giorni fa · Joseph Eugene Stiglitz ( / ˈstɪɡlɪts /; born February 9, 1943) is an American New Keynesian economist, [2] a public policy analyst, and a full professor at Columbia University. He is a recipient of the Nobel Memorial Prize in Economic Sciences (2001) [3] and the John Bates Clark Medal (1979). [4] He is a former senior vice president and ...
26 apr 2024 · I respectfully disagree: if you know what are you doing (see Steve Yedlin ASC) you can make digital look like film. You can pick apart "SW: the last jedi" and see out for yourself: film and digital are blended together seamlessly. However, you cannot just pick two random shot and "make them match" without much pain
6 giorni fa · And then, see what Steve Yedlin has to say about resolution. Original Alexa shot in 2.7k or in open gate 3:2 aspect ratio at 3.5k if I remember correctly. Correct, but if he wants to look at the movies, they’d be finished in 2K.
5 giorni fa · Re: Film Convert and resolve. What I like about Resolve is that it's very good at every aspect of post production - Logging, Editing, Effects, Color, Audio and final Delivery. For a one man shop, it's a dream come true. So even with FilmConvert, it offers me an advantage no other software can. You NEED training.
