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Explore Carl Radle's discography including top tracks, albums, and reviews. Learn all about Carl Radle on AllMusic.
15 gen 2015 · Carl’s weapons of choice included a ’65 sunburst Fender Precision with a blocked and bound neck, ’68 blonde Fender Telecaster bass with a single coil Telecaster pickup and a split-coil Precision pickup, MusicMan Stingray, and a ’75 Alembic. Radle’s fluid lines are a study in rhythm and space. His meld of staccato phrasing, sustained ...
20 set 2019 · August 1976 Interview. Below is an interview with Carl Radle from the August 1976 issue of Guitar Player. This is the most in-depth interview with him I've been able to find. Posted by Kentucky Rob Collier at 1:05 PM. Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest.
26 ott 2018 · No Treble is on Google News. There are plenty of players who have left the musical world far too soon and are frequently overlooked or, more commonly, heard but not known. One example that comes to mind is the great and soulful Carl Radle, the California transplant who made an indelible mark in the world of blues and soul during the 1970’s.
Radle’s bass line on “Art of Dying” is, characteristically, simple, repetitive, and supportive. The song begins with a 4-measure guitar intro. The band comes in at measure 5 with a descending melodic line over an A minor chord. Radle keeps this anchored by repeating the same one-measure riff six times until the harmony finally reaches an ...
Carl Radle. American bass guitarist. Born: June 18, 1942 in Tulsa, Oklahoma. Died: May 30, 1980 in Claremore, Oklahoma. He was a member of the groups Gary Lewis & The Playboys (mid-1960s), Delaney & Bonnie with Eric Clapton (1969), Derek & The Dominos (1970) and Eric Clapton And His Band (1974-1979). Recorded with countless musicians of various ...
23 set 2019 · The song begins with a short intro. "Keep On Growing" highlights several important aspects of Carl Radle's style. His line on the chorus is a very simple and repetitive arpeggiation of an A-D chord progression. He seldom makes any variations on this pattern. Even when the band vamps on this two-chord groove for the last two minutes of the song ...
