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  1. 16 lug 2009 · With all my strenght I thank Love,as much as I can, for she hasgiven me the choice,very sweetly, and exactly as I wanted,she has selected a rich delight for ...

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  2. Gilles Binchois (c.1400-1460) - A discography. This discography is presently in a preliminary state. It is believed to contain a substantial percentage of an eventual full listing, but has not been scoured for completeness or organized into sections based on individual works.

  3. Musicista fiammingo, nato a Binche (o a Mons?) intorno al 1400, morto a Lilla il 20 settembre del 1460. Fu prima soldato, poi cantore di chiesa. Come compositore, egli ha una notevole importanza per essere stato tra i primi a coltivare, oltre che la musica sacra (messe e parti di messe, nei codici di Trento, pubblicati dall'Adler nei Denkm. der ...

  4. 8 giu 2018 · Binchois, Gilles de. views 3,294,074 updated May 18 2018. Binchois, Gilles de ( c. 1400–60) Franco-Flemish composer and organist. After Dufay, he was the most influential composer of the early to mid-15th century. He was organist at Mons (1419–23), and served at the Burgundian court (1430–53), before becoming provost of St Vincent, Soignies.

  5. 29 gen 2007 · Binchois’s birth place is presumed, not undisputed. Binchois was Organist in Mons’s St.Waltrudis church in 1419–23, moved in 1423 to Lille (northern France) and in 1424 enlisted as “English” soldier (Burgundy being the main ally against the French crown in the Hundred Years War) under the earl of Suffolk before joining the court chapel of the dukes of Burgundy from 1427/3 till 1452 ...

  6. Binchois was a contemporary of Guilliame Dufay, and the leading composer at the court of Burgundy during the middle third of the fifteenth century. Binchois is remembered primarily for his secular chansons, for which composition he was known during his lifetime as at least the equal of Dufay. His entire creative life was spent in Burgundy, and ...

  7. Binchois, Gilles Enciclopedia on line Musicista (Mons o Binche, Fiandre, 1400 circa - Soignies 1460); è uno degli iniziatori della prima scuola fiamminga, e uno tra i primi compositori aulici che coltivarono, oltre la musica sacra , la canzone profana (rondò, ballata) in lingua italiana e francese.

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