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1. www.newyorker.com › culture › the-new-yorker-documentaryIn “Nina & Irena,” a Holocaust Survivor Breaks Her ... - TheNew ...

   www.newyorker.com › culture › the-new-yorker-documentary

   15 nov 2023 · Daniel Lombroso writes about making his film “Nina & Irena,” in which his grandmother opens up about her survival as a Jew in Poland during the Second World War.

2. www.newyorker.com › culture › the-front-rowThe Movie World’s Misplaced Worship of “The Swimming Pool”

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   23 ago 2021 · Richard Brody writes about how the unnecessary praise for the 1969 film “La Piscine” (“The Swimming Pool”), by Jacques Deray, starring Romy Schneider and Alain Delon, drowns out the ...

3. www.newyorker.com › culture › cultural-commentThe Revelatory Tedium of the New “Greatest Film of All Time”

   www.newyorker.com › culture › cultural-comment

   5 dic 2022 · On December 1st, the British Film Institute and Sight and Sound magazine announced the results of their decennial “Greatest Films of All Time” poll—a major event for movieheads. At the top ...

4. www.newyorker.com › culture › culture-deskCan a Film Star Be Too Good-Looking? | The New Yorker

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   11 apr 2024 · The French actor Alain Delon in “Purple Noon.”. Photograph courtesy Film Forum. The weather for New York on Friday, April 12th, is set to be overcast, with an average temperature of fifty-two ...

5. www.newyorker.com › culture › the-front-rowHow Maya Deren Became the Symbol and Champion of ... - The New ...

   www.newyorker.com › culture › the-front-row

   16 nov 2022 · Owing to legal issues after its producer’s death, the film didn’t show in New York until 1959, at which time it made hardly a ripple. Deren died on October 13, 1961, of a cerebral hemorrhage.

6. www.newyorker.com › contributors › anthony-laneAnthony Lane Latest Articles | The New Yorker

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   18 mar 2022 · Anthony Lane is a New Yorker staff writer. From 1993 to 2024, he served as a film critic. Before coming to the magazine, he worked at the Independent, in London, where he was appointed deputy ...

7. www.newyorker.com › culture › the-front-row“Saint Omer,” Reviewed: A Harrowing Trial Inspires ... - The New ...

   www.newyorker.com › culture › the-front-row

   13 gen 2023 · There, when Emmett Till’s mother, Mamie Till-Mobley (Danielle Deadwyler), attends the trial—in a Mississippi court, with a white judge and an all-white jury—of two white men accused of ...