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Gerard David Buitenmuseum. Oudewater is een stad met een rijke historie. Daar werd omstreeks 1455 Gerard David geboren, een kind dat één van de beroemdste schilders van de Middeleeuwen zou worden. Gerard David vestigde zich in 1484 in Brugge: deze stad in de zuidelijke Nederlanden was op dat moment één van de belangrijkste handelscentra van ...
Gerard David was probably born in Oudewater. After his training in Haarlem, he establishes himself in 1484 as master in Bruges. David is the artist who summed up the 15th Century, the century of Jan van Eyck, both technically and contentwise, and at the same time already stood in the 16th Century.
Gérard David est l'un des derniers représentant des primitifs flamands de l'école de Bruges, représentée notamment par Jan van Eyck, Petrus Christus et Hans Memling. Originaire d'Oudewater, près de Gouda, il s'inscrit à la corporation des imagiers et selliers de Bruges en tant que franc-maître en 1484.
Gerard David was an important Netherlandish painter of the late 15th and early 16th centuries whose most important contribution was his role in the development of landscape, in which he helped to establish the ground rules of a tradition that would culminate in Joachim Patinir. David’s work reveals the influence of the great Flemish masters ...
Gerard David was born in Oudewater, near Gouda, in 1455. It has been suggested that he trained with the painters Albert van Ouwater and Geertgen tot Sint Jans, although there is no documentary proof to confirm this idea. It is also very likely that he spent time in Louvain in the workshop of Dirk Bouts where he may have collaborated with Bouts ...
August L. Mayer. "Ein unbekanntes Triptychon von Gerard David." Zeitschrift für bildende Kunst, n.s., 31, nos. 5–6 (1919–20), p. 97, ill. opp. p. 97, publishes the altarpiece as a work from Gerard David's "second period," contemporary with his Adoration of the Magi in Munich (Alte Pinakothek); observes that the composition probably depends on a now lost Nativity by Hugo van der Goes and ...
Gerard David. Antwerp, 1989, p. 312, no. 51, ill., as probably by a follower of David, perhaps an Antwerp master. Introduction by Walter A. Liedtke in Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America .
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