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  1. www.ft.com › content › 315b6502/5784/4201-9f72-a0677724aa69The Beast film review — Léa Seydoux lights up daring and epoch...

    30 mag 2024 · Add to myFT. The Beast film review — Léa Seydoux lights up daring and epoch-straddling sci-fi. Master stylist Bertrand Bonello combines Henry James and AI as he stretches from Belle Époque Paris...

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  3. www.independent.co.uk › arts-entertainment › filmsThe Beast, starring Léa Seydoux, is a mesmeric blend of sci-fi...

    30 mag 2024 · Culture Film Reviews. The Beast review: Léa Seydoux leads a mesmeric blend of sci-fi, horror and romance. The works of French filmmaker Bertrand Bonello are designed to provoke – and this...

    • 2 min
    • Clarisse Loughrey

  4. www.theguardian.com › film › article‘I was totally devastated’: readers on their saddest movie deaths

    3 giorni fa · After Guardian writers shared their most affecting big screen deaths, you responded with yours, from Leon to Aftersun

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  6. www.esquire.com › it › culturaThe Terminal, l'ASSURDA storia vera che ha ispirato il film -...

    17 ore fa · The Terminal, il film diretto da Steven Spielberg con Tom Hanks e Catherine Zeta-Jones nei panni di Viktor Navorski e Amelia Warren, è ispirato a una storia vera. La trama del film è quella di ...

  7. www.theguardian.com › film › articleNeil Jordan claims ex-taoiseach told him of money-for ... - The...

    6 giorni fa · When the Irish film director and screenwriter Neil Jordan’s biopic of Michael Collins was released in 1996, it unleashed criticism from historians and politicians who contested its depiction of...

  8. www.sorrisi.com › cinema › migliori-film50 film da guardare su Netflix – Lista aggiornata a giugno 2024

    4 giu 2024 · I film da guardare su Netflix: la nostra selezione di film da vedere aggiornata a luglio 2021. Le novità e i titoli da recuperare

  9. www.bfi.org.uk › sight-and-sound › reviewsHounds review: a grim night in Casablanca | Sight and Sound - BFI

    11 giu 2024 · Lazraq’s film follows father and son step by step through the night as they attempt to dispose of the body. Every new plan fails, and through each failure, new problems arise. The scenario (and certain aesthetic choices) bring to mind the tail-light illuminated faces of Joe Pesci and Ray Liotta as they dispose of their own troublesome corpse in Martin Scorsese’s GoodFellas (1990).