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17 mag 2024 · auteur theory, theory of filmmaking in which the director is viewed as the major creative force in a motion picture. Arising in France in the late 1940s, the auteur theory—as it was dubbed by the American film critic Andrew Sarris—was an outgrowth of the cinematic theories of André Bazin and Alexandre Astruc.
- New Wave
New Wave, the style of a number of highly individualistic...
- New Wave
2 mag 2024 · In 1962, the film critic Andrew Sarris popularized the idea of film authorship in the US: he created a nine-part schema to rank a large number of directors, thus beginning a formative debate about the films that might constitute a canon of great work.
3 giorni fa · Andrew Sarris in the Village Voice for 14 January, 1971, on Auteurism v Amnesia Followed by a review of "Confessions of a Cultist" by Richard Gilman, and a review of Gilman by Sarris D. K. Holm
4 giorni fa · Minority Report. (film) Minority Report is a 2002 American science fiction action film [6] directed by Steven Spielberg, loosely based on Philip K. Dick 's 1956 novella "The Minority Report". The film takes place in the Washington metropolitan area in the year 2054, in which a specialized police department— Precrime —apprehends criminals by ...
5 giorni fa · Budget. $3.5–$3.8 million [2] [3] Box office. $50–56 million [4] [3] Dog Day Afternoon is a 1975 American biographical crime drama film directed by Sidney Lumet and produced by Martin Bregman and Martin Elfand. The film stars Al Pacino, John Cazale, James Broderick, and Charles Durning. The screenplay is written by Frank Pierson and is ...
8 mag 2024 · However, as a dimension of consistency becomes systematically integrated into the concept of auteur through Cahiers du Cinéma critics’ (including Truffaut himself) subsequent emphasis on stylistic consistency, Andrew Sarris’s particularly consequential emphasis on the consistency of personality, then auteur-structuralists’ emphasis on thematic consistency, and the more recent emphasis ...
2 giorni fa · In his book Final Cut: Dreams and Disaster in the Making of Heaven's Gate, Steven Bach wrote, "critics seemed to feel obliged to go on the record about The Deer Hunter, to demonstrate that their critical credentials were un-besmirched by having been, as Andrew Sarris put it, 'taken in.'" Film critic Mark Kermode described Deer Hunter as "a genuinely terrible film".
