Yahoo Italia Ricerca nel Web

Risultati di ricerca

  1. 2 giorni fa · Spettacolare l’impianto scenografico, di Edward Carfagno, Cedric Gibbons, William A. Horning, Vittorio Valentini ed Elso Valentini, nel ricostrtuire l’antica Roma ai tempi di Nerone, che ha ...

  2. 2 giorni fa · "Cedric Gibbons, who was the head of all the art directors at the studio, he left Arthur Lonergan alone to be the art director on the film. And Lonergan really grabbed a hold of it and said, 'This ...

  3. 4 giorni fa · Cedric Gibbons: 1934; The Merry Widow: Cedric Gibbons and Fredric Hope: The Affairs of Cellini: Richard Day: The Gay Divorcee: Van Nest Polglase and Carroll Clark: 1935; The Dark Angel: Richard Day: The Lives of a Bengal Lancer: Hans Dreier and Roland Anderson: Top Hat: Carroll Clark and Van Nest Polglase: 1936; Dodsworth: Richard ...

  4. 16 mag 2024 · Cedric Gibbons’ art direction, as might be expected, is lavish in keeping with the studio’s signature style. A corridor of mummy cases and Fu’s court complete with extravagant costumes and headdresses, hundreds of attendants, impressive electrical equipment, and elaborate torture devices elevate the film from programmer to ...

  5. 2 mag 2024 · Cedric Gibbons. Known for his work on The Wizard of Oz, Gibbons was an Academy Award-winning set designer who worked on over 150 films. 3. 13. votes. Los Angeles Daily News · Public domain. John Ford. Known for his work on the film The Searchers, Ford was also a renowned set designer who won four Academy Awards. 4. 26. votes.

  6. en.wikipedia.org › wiki › Mervyn_LeRoyMervyn LeRoy - Wikipedia

    5 giorni fa · LeRoy was born on October 15, 1900, in San Francisco, California, the only child of Edna (née Armer) and Harry LeRoy, a well-to-do department store owner. [6] Both his parents' families had fully assimilated, residing in the Bay Area for several generations. LeRoy described his relatives as "San Franciscans first, Americans second, Jews third."

  7. 3 giorni fa · Cedric Gibbons, que era o chefe de todos os diretores de arte do estúdio, deixou Arthur Lonergan sozinho para ser o diretor de arte do filme. E Lonergan realmente agarrou-se e disse: 'Esta é uma grande oportunidade para fazer algo muito legal.