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  1. 2 giorni fa · Sound designer Gary Rydstrom considered it a fun process, given the film had all kinds of noise—animal sounds, rain, gunshots, car crashes—and at times no music. During the process, Spielberg flew on weekends from Poland to Paris, where he met Rydstrom to see the sound progress.

  2. 1 giu 2024 · The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians.

  3. 21 mag 2024 · Star Wars: The Phantom Menace's award-winning Gary Rydstrom from Skywalker Sound made his Star Wars debut as a re-recording mixer on Episode I.

  4. 23 mag 2024 · The Phantom Menace 25: Gary Rydstrom on mixing the sounds of Episode I. Writing over at StarWars.com, Lucas Seastrom continues his series of articles looking at the creative minds behind the sounds and images of The Phantom Menace, and here he chats with Sound Mixer Gary Rydstrom who walks us through the processes and challenges of ...

  5. 2 giorni fa · After seeing the map for the location was zoned as light industrial, Lucas named the group Industrial Light and Magic, [13] which became the Special Visual Effects department on Star Wars. Alongside Dykstra, other leading members of the original ILM team were Ken Ralston, Richard Edlund, Dennis Muren, Robert Blalack, Joe Johnston, Phil Tippett ...

  6. 21 mag 2024 · The award-winning artist from Skywalker Sound made his Star Wars debut as a re-recording mixer on Episode I. By Lucas Seastrom. By 1999, sound artist Gary Rydstrom had worked at Skywalker Sound for 16 years.

  7. 13 mag 2024 · Sound designers Ben Burtt and Gary Rydstrom talk about the famous podracing scene from Star Wars: Episode I - The Phantom Menace! Ben Burtt adds: “I definitely tried to give each vehicle a personality.