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  1. 19 lug 2024 · The documentary explores the birth of punk rock in Washington DC (1976-1983). When punk rock emerged against all odds in the Nation’s Capital, it was a mighty convergence of powerful music, deep friendships, and clear minds. It was in fact an unlikely place but the perfect time.

  2. 17 lug 2024 · The documentary explores the birth of punk rock in Washington DC (1976-1983). When punk rock emerged against all odds in the Nation’s Capital, it was a mighty convergence of powerful music, deep friendships, and clear minds. It was in fact an unlikely place but the perfect time.

  3. 17 lug 2024 · Jeff Nelson, co-founder of Dischord Records and drummer of Minor Threat, talks D.C. punk of the 1980s and new documentary Punk the Capital. By Alex Gordon

  4. 12 lug 2024 · It started as a photo project in 1988 in which Dan conscripted his friends, most of them involved in the DC punk scene, to trick themselves out in thrift store boxing gear and pose as prizefighters in front of crudely painted scenic backdrops.

  5. 6 lug 2024 · Sound design is crucial to effective storytelling in film, television, and immersive video. Sound designers pull together dialog tracks, Foley work, music, and sound effects (SFX) to create the auditory experience for viewers of a film or video. In this article, we’ll explore the art, importance, tools, and techniques of sound ...

    • Punk the Capital: Building a Sound Movement film1
    • Punk the Capital: Building a Sound Movement film2
    • Punk the Capital: Building a Sound Movement film3
    • Punk the Capital: Building a Sound Movement film4
    • Punk the Capital: Building a Sound Movement film5
  6. 3 lug 2024 · Emerging from the Australian underground scene in the mid-70s, The Saints blasted into the punk pantheon with their raw, blistering sound that predated the British punk movement by a few months.

  7. 18 lug 2024 · In her new book “ Politics as Sound: The Washington, D.C., Hardcore Scene, 1978-1983 ,” due out next month from the University of Illinois Press, Shayna Maskell Ph.D. ’14 examines how a contingent of D.C. youth in the late 1970s and early 1980s reacted noisily to what’s true in the stereotype.