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15 mag 2024 · His 311-minute film “River of Fundament” (left), a very loose adaptation of Norman Mailer’s 1983 novel, “Ancient Evenings,” opens with Barney emerging from a river of excrement, entering Mailer’s home, removing human waste from a toilet, wrapping it in gold leaf and placing it back whence it came, thus conjuring the ...
17 mag 2024 · May 17, 2024 2:10pm. Matthew Barney, Sanguine Atlas, 2024. Photo David Regen/Courtesy the Artist, Gladstone Gallery, Sadie Coles HQ, Regen Projects, and Galerie Max Hetzler. Making his way through ...
3 giorni fa · Its name is Hardeen, Barney tells me, after Harry Houdini’s brother. It is not a pet. The snake made an appearance in Barney’s 2014 film River of Fundament, a sixhour opera loosely based on Norman Mailer’s rewrite of the Egyptian book of the dead. It features Mailer’s spirits, in various incarnations, crossing a river of sewage.
4 giorni fa · Its name is Hardeen, Barney tells me, after Harry Houdini’s brother. It is not a pet. The snake made an appearance in Barney’s 2014 film River of Fundament, a six-hour opera loosely based on Norman Mailer’s rewrite of the Egyptian book of the dead. It features Mailer’s spirits, in various incarnations, crossing a river of sewage.
17 mag 2024 · Among the most famous are the five rivers of the Underworld. The five rivers are the Styx, Lethe, Archeron, Phlegethon, and Cocytus. Each of the five rivers had a unique function in how the Underworld worked, as well as a unique character named to reflect an emotion or god associated with death. 01. of 05.
4 giorni fa · River of Fundament Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven ...
1 giorno fa · Sony Pictures Entertainment In March 2011, James Vanderbilt was hired to write the sequel to The Amazing Spider-Man (2012), after scribing the predecessor, before Roberto Orci and Alex Kurtzman were hired to rewrite the first draft the following year, later joined by Jeff Pinkner ; screenplay credit went to Kurtzman, Orci, and Pinkner, with screen story credit given to the trio and Vanderbilt ...
