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  1. 5 giorni fa · Videodrome is a 1983 Canadian science fiction body horror film about a TV station president who uncovers a disturbing broadcast signal featuring violent content, leading to a twisted journey of deception and mind control.

  2. 5 giorni fa · Videodrome (1983) Universal Pictures. David Cronenberg’s 1983 film fairly brilliantly presages the rise of the internet and our willingness to surrender some of our humanity in the service of technology, but it starts with old-fashioned adult entertainment. Max Renn (James Woods), president of a small UHF station, stumbles upon a broadcast ...

  3. 5 giorni fa · Keep reading to learn more about the 10 best 80’s cult classic movies. 10. The Breakfast Club (1985) The Breakfast Club is a coming of age drama about five teenagers in school detention. Throughout the film, the teens from different backgrounds come together and break down stereotypes.

  4. 2 giorni fa · Apart from Terminator 2: Judgment Day (1991) and The Matrix ( 1999) that were absolute bangers at the time and are still considered cult classics, we can’t really say that the decade of 1990s was fruitful in terms of worth-watching sci-fi movies that left a mark on history. We’re going to talk about a movie that was forgotten just like ...

  5. 1 giorno fa · The Outsiders. A proto-Brat Pack outing, Francis Ford Coppola’s 1983 version of the SE Hinton novel harks back to the era of Brando and Dean in its story of feckless, reckless working-class boys in 60s Tulsa. C Thomas Howell plays Ponyboy, the 14-year-old youngster in a parentless family run by brother Darrel (Patrick Swayze).

  6. 4 giorni fa · De directeur van een tv-station raakt geïntrigeerd door de uitzendingen met seks en geweld van kabelpiraat Videodrome. Een geheimzinnig videosignaal oefent een onheilspellende invloed uit op lichaam en geest.

  7. 4 giorni fa · David Cronenberg is a master of body horror, with films like The Fly (1986), where a scientist gradually transforms into a grotesque human-insect hybrid, and Videodrome (1983), which explores themes of technology as a physical contaminant.