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5 giorni fa · Nei primi mesi del 1489 si occupò delle decorazioni, nel Castello Sforzesco, per le nozze di Gian Galeazzo Maria Sforza e Isabella d'Aragona, sospese per la morte della madre della sposa, Ippolita d'Aragona, e rimandate all'anno successivo, come Leonardo scrisse sul Libro titolato de figura umana.
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Leonardo di ser Piero da Vinci (15 April 1452 – 2 May 1519)...
- Piero da Vinci
Bibliografia. R. Cianchi, Vinci, Leonardo e la sua famiglia...
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6 giorni fa · Her 1490 marriage to Gian Galeazzo Sforza, Duke of Milan, positioned Isabella at the heart of Italian politics. And this role was both complicated and elevated by the ambitions and...
23 mag 2024 · Brought up at his father’s refined court, he remained, after his father’s death in 1466, in the service of the new ruler, his elder brother Galeazzo Maria. When Galeazzo was murdered, however, in 1476, leaving the duchy to his seven-year-old son, Gian Galeazzo, Ludovico first revealed his appetite for power, plotting to win the ...
22 mag 2024 · The intense and updated dialogue between the Marche-born artist’s painting and European Gothic goldsmithery originated when he attended the court of Gian Galeazzo Visconti in Pavia, and when working on the site of Milan Cathedral, where he would forge his figurative culture in the 1390s.
24 mag 2024 · Statua di Galeazzo Maria Sforza. Museo del Duomo di Milano. DESCRIZIONE: La statua del Duca di Milano fu realizzata dallo scultore e architetto Benedetto Briosco, che si formò nel cantiere del Duomo. La statua mostra l’ormai completa autonomia della scultura del Duomo da influenze estranee alla cultura lombarda.
27 mag 2024 · Three occasions that are better documented than others allow us to understand the process of creation behind these events: first, the wedding of Gian Galeazzo Sforza and Isabella d’Aragona in 1489 (Schofield 1988); second, the baptism of their first son, Francesco, in 1492 (Gritti 2020b); and third, the ceremony for the investiture ...
27 mag 2024 · Despite the many references to medieval symbolism incorporated into Sforzinda's design, the principle of the city became, during the Renaissance, the archetype of the humanist city. The treaty attracted the interest of important rulers such as Gian Galeazzo Sforza and Piero di Cosimo de' Medici.
