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4 giorni fa · Placed between the fifth and sixth scenes of the First Act, the Interlude’s tranquil nature lies in contrast to the opera’s main theme of domestic quarreling—a thinly disguised reference to Strauss’s own tempestuous marriage to Pauline de Ahna, a famous soprano.
31 mag 2024 · «Sie ist sehr kompliziert, sich selbst niemals ähnlich, von Minute zu Minute wechselnd.» Und: Diese Frau, Pauline de Ahna, wird Strauss' Gefährtin fürs Leben sein.
28 mag 2024 · Strauss’s relationship with the soprano voice was both professional and personal. He married the famous soprano Pauline de Ahna, whose voice and temperament influenced his compositions. His operas and songs often required exceptional vocal prowess and emotional depth, traits that Pauline embodied.
25 mag 2024 · Thanks to Rolland's interrogations we know that one driving impetus for Strauss to compose a work that loosely referenced his own life was to honour his opera-singer wife, Pauline de Ahna.
13 mag 2024 · The triumphant reception of this piece led to Strauss’s acclamation as Wagner’s heir and marked the start of his successful composing career. At Weimar, too, in 1894 he conducted the premiere of his first opera, Guntram, with his fiancée Pauline de Ahna in the leading soprano role.
17 mag 2024 · Se cierra la XIII temporada sinfónica en el ADDA con la intervención de la orquesta titular del Auditorio de la Diputación de Alicante bajo la dirección del director titular de la formación orquestal, el alteano Josep Vicent.
31 mag 2024 · La création, voici 130 ans, n’est pas allée de soi, comme souvent. La première Hänsel -rôle travesti- qui n’est autre de Pauline de Ahna – future Mme Strauss – se casse la cheville juste avant la première et ne réapparaitra que quelques représentations plus tard.
