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23 mag 2024 · Giovanni di Bicci de' Medici, the first patron of the arts in the family, aided Masaccio and commissioned Filippo Brunelleschi for the reconstruction of the Basilica of San Lorenzo, Florence in 1419. Cosimo the Elder's notable artistic associates were Donatello and Fra Angelico .
1 giorno fa · Fabrizio Sciarretta 29 Mag , 2024. La mostra Filippo e Filippino Lippi. Ingegno e bizzarrie nell’arte del Rinascimento ai Musei Capitolini di Roma racconta il caso straordinario di un padre e un figlio, entrambi pittori e disegnatori di eccezionale talento. L’esposizione, a cura di Claudia La Malfa, illustra il talento del pittore ...
3 giorni fa · The family filled the palace with priceless paintings, exquisite jewelry, and luxurious furnishings, reflecting their refined tastes and patronage of the arts. Notable Medici figures associated with the palace include Cosimo I, Eleonora di Toledo, and Anna Maria Luisa de‘ Medici, each leaving their mark on the palace‘s history and collections.
3 mag 2024 · Cosimo de’ Medici is known for being the founder of one of the main lines of the Medici family that ruled Florence from 1434 to 1537. He was a patron of the arts and humanism and played an important role in the Italian Renaissance.
- The Editors of Encyclopaedia Britannica
3 giorni fa · Facade of Santa Maria Novella (1456) Michelangelo, Doni Tondo (1503–1504) The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th. This new figurative language was linked to a new way of thinking about humankind and the ...
22 mag 2024 · In 1473 Luca Pitti died leaving Filippo Brunelleschi’s project unfinished. At the time the building had only three large doors and a double row of seven windows on the façade. Abandoned at the death of the merchant, the Palace was purchased in 1549 by Eleonora of Toledo, Cosimo I de’ Medici’s wife as a ceremonial residence worthy of the nascent Grand Duchy.
15 mag 2024 · Grazie alla ricca selezione di dipinti e disegni attribuiti ai due Lippi, l’esposizione ripercorre l’evoluzione dell’arte dal Rinascimento fino ai primi accenni di Manierismo, passando dalla corte fiorentina di Cosimo de’ Medici alla Roma papale di fine XV secolo.
