Risultati di ricerca
3 giorni fa · Le nozze tra Gian Galeazzo Sforza e Isabella d'Aragona (1489-1490) Nei due anni successivi le commissioni ducali si fecero sempre più frequenti. Ricevette ad esempio pagamenti per il progetto del tiburio del duomo di Milano.
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Leonardo di ser Piero da Vinci (15 April 1452 – 2 May 1519)...
- Piero da Vinci
Biografia. Tutta la genealogia della sua famiglia è...
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4 giorni fa · Wikimedia. Isabella of Aragon was born into the illustrious House of Aragon in Naples, in 1470. She was a princess who was deeply entwined in the political and cultural fabric of the Renaissance....
5 giorni fa · Three occasions that are better documented than others allow us to understand the process of creation behind these events: first, the wedding of Gian Galeazzo Sforza and Isabella d’Aragona in 1489 (Schofield 1988); second, the baptism of their first son, Francesco, in 1492 (Gritti 2020b); and third, the ceremony for the investiture ...
5 giorni fa · The treaty attracted the interest of important rulers such as Gian Galeazzo Sforza and Piero di Cosimo de' Medici. Later, when Francesco di Giorgio Martini and Leonardo da Vinci began planning their ideal cities, they borrowed ideas from Filarete.
23 mag 2024 · He joined the league led by Venice, which, in spite of Charles’s initial successes, soon expelled him from Italy. Ludovico was the ultimate victor in this affair, achieving for a time maximum safety and almost unlimited power; both Gian Galeazzo and Ferdinand died in 1494, and Charles VIII himself soon became reconciled with him.
4 giorni fa · Her 1490 marriage to Gian Galeazzo Sforza, Duke of Milan, positioned Isabella at the heart of Italian politics. And this role was both complicated and elevated by the ambitions and machinations of Ludovico Sforza (also called Ludovico il Moro), her husband’s uncle and usurper of the Milanese dukedom.
24 mag 2024 · Statua di Galeazzo Maria Sforza. Museo del Duomo di Milano. DESCRIZIONE: La statua del Duca di Milano fu realizzata dallo scultore e architetto Benedetto Briosco, che si formò nel cantiere del Duomo. La statua mostra l’ormai completa autonomia della scultura del Duomo da influenze estranee alla cultura lombarda.
