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  1. 4 nov 2021 · A new Amazon documentary, ‘A Man Named Scott,’ artfully chronicles the mental-health journey of one of hip-hop’s most unlikely superstars, Kid Cudi. Nov. 3, 2021

  2. 10 nov 2021 · NPR's A Martínez talks to songwriter Aimee Mann about her album: Queens of the Summer Hotel. It's based on the book, Girl, Interrupted, which chronicles the author's stay in a mental...

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  3. en.wikipedia.org › wiki › Aimee_MannAimee Mann - Wikipedia

    • Early Life
    • Career
    • Artistry
    • Personal Life
    • Discography
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    Mann was born at the Medical College of Virginia, Richmond, on September 8, 1960. When she was three, her mother had an affair and became pregnant and her parents divorced. Mann was kidnapped by her mother and her new boyfriend and taken to Europe, where they traveled. Mann's father, a marketing executive, hired a private detective, who brought her...

    1980s: 'Til Tuesday

    At Berklee, Mann and Michael Hausman formed a new wave band, 'Til Tuesday, with Mann providing bass and vocals. They signed to Epic Records and released Voices Carry, their debut album, in 1985. The single "Voices Carry" reached number eight on the Billboard Hot 100 and won that year's MTV Video Music Award for Best New Artist. According to Mann, "Voices Carry" was one of the first songs she wrote. Stereogum described it as "an early indicator of Mann's penchant for character study, drawing o...

    1990–1995: Solo beginnings, Whatever and I'm with Stupid

    Mann recorded her first solo albums with the producer Jon Brion, who had been a member of the 'Til Tuesday touring band. Mann found working with Brion exciting and felt her songwriting improved with him. Together, they developed a sound that the Stereogum writer Doug Bleggi called "LA alternative". Mann's debut solo album, Whatever, was released in 1993 on the independent label Imago. It earned positive reviews but did not meet sales expectations. In 1994, Mann moved to Los Angeles. She also...

    1995–1999: Film work and Magnolia

    Mann contributed a cover 1968 song "One" by Harry Nillson for the 1995 tribute album For the Love of Harry: Everybody Sings Nilsson. She wrote "Wise Up" for the 1996 film Jerry Maguire, but the director, Cameron Crowe, felt it did not fit. The song was included on the Jerry Maguire soundtrack. In 1997, Mann recorded a cover of "Nobody Does It Better", the theme song of the 1977 James Bond film The Spy Who Loved Me, for the album Shaken and Stirred: The David Arnold James Bond Project. Mann co...

    Pitchfork characterized Mann's music as "refined guitar pop filled with attuned details and characters more often associated with the best short stories". The journalist Jon Pareles described Mann as a "formalist of pop songwriting" whose "verses, choruses and bridges arrive in their proper places and melodies trace a measured, symmetrical rise and...

    According to the musician Al Jourgensen of the band Ministry, he and Mann had a brief "dysfunctional" romance in Boston in the 1970s or 1980s. Mann wrote "No More Crying" about their relationship. Mann dated the 'Til Tuesday drummer Michael Hausman; after they separated, they remained friends and Hausman became her manager. The actor and comedian D...

  4. it.wikipedia.org › wiki › Aimee_MannAimee Mann - Wikipedia

    Aimee Elizabeth Mann è una chitarrista, bassista e cantautrice statunitense.

  5. 10 nov 2021 · NPR's A Martínez talks to songwriter Aimee Mann about her album: Queens of the Summer Hotel. It's based on the book, Girl, Interrupted, which chronicles the author's stay in a mental institution.

  6. 3 nov 2021 · Aimee Mann’s unmistakable soprano drifts across curious legato piano accompaniments, swirling woodwinds, and gentle percussive beats on Queens of The Summer Hotel. It’s the indie icon’s latest release following her acclaimed 2017 album, Mental Illness.

  7. 31 mar 2017 · Her new album, Mental Illness, which is out today (March 31), once again showcases her incisive and wry melancholia in a nearly all-acoustic format, with a style inspired by some of Mann’s favorite folk-rock records from the Sixties and Seventies.

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