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  1. en.wikipedia.org › wiki › Jeremy_InkelJeremy Inkel - Wikipedia

    Jeremy Michel Neville Inkel (8 February 1983 – 11 January 2018) was a Canadian electronic musician based in Vancouver. He was best known as a keyboard player and programmer for Left Spine Down and electro-industrial band Front Line Assembly as well as producing tracks for various well known musicians worldwide.

  2. 25 gen 2018 · (Photo by Christian Neubert) This news just arrived. Canadian keyboard player and programmer Jeremy Inkel is no more. He died January 23 due to complications arising from an asthma condition. He was only 34 years old. Best known for his involvement in the most recent albums by the veteran act Front Line Assembly, he was

  3. 5 nov 2020 · Stream JEREMY INKEL on Spotify, Apple Music, and Deezer! https://orcd.co/hijacker Donate: https://paypal.me/artoffact === Jeremy Inkels debut as a solo artist comes to us nearly three...

    • 7 min
    • 169
    • Artoffact Records
  4. 24 gen 2018 · Jeremy Inkel of Front Line Assembly has passed away on January 13th 2018. His untimely death at the age of 34 was due to complications from asthma, according to an announcement made by his family on Facebook Wednesday evening. Inkel joined Front Line Assembly founder Bill Leeb’s infamous Industrial/Electro/EBM band in 2005 along ...

  5. 29 gen 2018 · The world of electronic industrial music has been saddened to learn of the sudden recent death of Canadian keyboard player and programmer Jeremy Inkel due to complications arising from an asthma condition. He was only 34 years old.

  6. It’s an album that is all Jeremy. Hijacker shows its influences: acid techno looms large, as does early WaxTrax dancefloor 12” records. Fans of Stephan Bodzin will hear his unique style in the mix, and repeat listens will bring out deeper doses of Deadmau5, The KLF, and, of course, the modern sound of Front Line Assembly, which Jeremy had ...

  7. 6 nov 2020 · Hijacker celebrates Jeremy’s life. It’s an album of hard-hitting EBM and techno grooves and industrial dancefloor experiments. But it’s also an album about late-night work. It’s about life on the road and back-stage, about life in small towns and love in big towns. It’s an album that is all Jeremy.