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Ritter was temporarily replaced on bass by Anna Statman for two months in the fall of 1980. Kid Congo Powers then left, on amicable terms, to join The Cramps in November 1980 and was replaced by lead and slide guitarist Ward Dotson (ex-Der Stab) who had initially hoped to join The Cramps.
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10 ott 2023 · One of our earliest fans, Anna Statman [an A&R rep for Slash Records, the Blasters’ label], was a big Little Willie John fan. She used to pester us about cutting it. “The Blasters were famous for our fights, and one of our biggest fights was over ‘I’m Shakin’.’
19 ott 2020 · When Anna Statman, who as head of A&R signed Faith No More, joined Slash, she was employee No. 3.
Cohen brought the band to the attention of Anna Statman, who was an A & R person at Slash Records. In 1988, Statman moved to a new job at Geffen Records, and Lock Up was her first signing at Geffen, in mid-1988. Livingston had left Lock Up in late 1987. In early 1988, Livingston was replaced by Morello.
28 apr 2016 · By early 1980, Ana Statman and I discovered The Blasters, just before their first album came out. Even though I still continued going to punk shows, writing for Slash, LA Weekly, New York Rocker and publishing my fanzine Lobotomy , the punk scene had lost its initial lustre for me.
In late 1986, Faith No More was signed to Los Angeles label Slash Records by Anna Statman. The label had recently been sold to the Warner Music Group subsidiary London Records, ensuring a widespread release for the band's following albums.
