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Van Dyke Parks – sintetizzatori, arrangiamenti, pianoforte (Only a Motion) Ray Neapolitan – basso acustico (Only a Motion) Greg Bartheld – programming tastiere (Only a Motion) Note aggiuntive. Mark Hallman e Ian Matthews – produttori; Tutti i brani (eccetto: Only a Motion) registrati da Mark Hallman al Watchdog Studio di Venice, California
View credits, reviews, tracks and shop for the 1988 Vinyl release of "Walking A Changing Line" on Discogs.
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—Van Dyke Parks, 2011 Parks initially became aware of the Beach Boys during their early popularity in the early 1960s. Speaking of them in 1995, he said, "I knew they didn't surf.…I felt some resentment about [them], and I had been a fan of Four Freshmen and 5 Trombones.…Instinctively, I was not a Beach Boy fan. 'Something really dumb about it.'" He added that, "I loved Pet Sounds, you ...
22 mag 2013 · Van Dyke Parks on Discover America from Richard Parks on Vimeo. Van Dyke Parks on Discover America. As well as the joyous contortions of ‘Sassafrass’, and a beautiful arrangement of Saint-Saens’ ‘Aquarium’ by the Esso Trinidad Tripoli Steelband, Songs Cycled features a number of tunes with fairly explicitly political lyrics.
Van Dyke Parks (Hattiesburg, 3 gennaio 1943) è un compositore, arrangiatore, cantautore e paroliere statunitense.. È conosciuto soprattutto per aver contribuito, tra il 1966 e il 1967, alla scrittura di brani per l'album Smile dei Beach Boys, che avrebbe dovuto succedere al capolavoro Pet Sounds, rimasto a lungo inedito e pubblicato da Brian Wilson in una nuova versione solo nel 2004.
About Van Dyke Parks. A prolific composer and arranger who has collaborated with people as diverse as Brian Wilson and Skrillex. VDP’s psychedelic Tin-Pan alley songs are the Bioshock of music ...
Van Dyke Parks was instrumental in transforming light-hearted pop music into a form of austere chamber music. An orchestral arranger for psychedelic-rock, Parks debuted as a solo artist with Song Cycle (1968), whose impressionistic vignettes of ordinary life employed a cornucopia of sonic trivia and musical quotations, and sounded more like an apocalyptic fresco of the American civilization ...
