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Alison Klayman (born 1984) is an American filmmaker and journalist best known for her award-winning 2012 documentary Ai Weiwei: Never Sorry. [1] Life and career. Klayman grew up in Philadelphia and graduated from Brown University in 2006 with a bachelor of arts degree in history.
Alison Klayman is an award-winning independent filmmaker. She directs and produces films including the documentaries Ai Weiwei: Never Sorry and The 100 Years Show about artist Carmen Herrera.
about director alison Klayman. Alison Klayman directs and produces timely, intimate films with larger-than-life figures. Her debut feature AI WEIWEI: NEVER SORRY, about the Chinese artist and activist Ai Weiwei, premiered at the 2012 Sundance Film Festival where it was awarded a US Documentary Special Jury Prize for Spirit of Defiance.
Director: Ai Weiwei: Never Sorry. Alison Klayman was the youngest director named by the New York Times chief film critics A.O. Scott and Manohla Dargis on their international list of 20 Directors to Watch. Alison's documentary work has been recognized with awards and box office success, and she also directs nonfiction series and commercials.
- Director, Producer, Cinematographer
- 2 min
AI WEIWEI: NEVER SORRY is the inside story of a dissident for the digital age who inspires global audiences and blurs the boundaries of art and politics. First-time director Alison Klayman gained unprecedented access to Ai while working as a journalist in China.
In the insightful Netflix documentary TAKE YOUR PILLS, award-winning documentarian Alison Klayman (Ai Weiwei: Never Sorry) focuses on the history, the facts, and the pervasiveness of cognitive-enhancement drugs in our amped-up era of late-stage-capitalism.
THE BRINK. Feature Documentary | 91 min | Sundance 2019. Director | Producer | Cinematographer | Co-Editor. US THEATRICAL RELEASE BY MAGNOLIA PICTURES. NOW AVAILABLE ON DIGITAL. UK RELEASE BY DOGWOOF. NOW AVAILABLE ON DIGITAL. 2019 international theatrical releases also in Canada, Scandinavia, Italy, Spain. Opens in France Sept 25.
