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Wasted Pieces is the third solo album released by Lou Barlow as "Lou B's Acoustic Sentridoh"; "Sentridoh" is his solo home recording project; it was released by Shrimper Records in 1993 as cassette; in 2003 it was re-released as CD as "Lou B's Wasted Pieces '87-'93" that collects the bulk of the tracks from Wasted Pieces and Most of ...
28 feb 2021 · about. a combination of 2 cassettes originally released on the Shrimper label: 'most of the worst and some of the best' (1992) and 'wasted pieces' (1993)..this edition includes an extra 5 minutes from 'most of the worst...'. released February 28, 2021. 4-string guitar, chord organ, casio, 4 and 2 track cassette recorders etc.
Wasted Pieces (re-issued in 2003 as "Lou B's Wasted Pieces '87 - '93") Lou B's Acoustic Sentridoh Shrimper 1994 Winning Losers: A Collection of Home Recordings 89-93 (re-issued in 2006) Louis Barlow Acoustic Sentridoh Smells Like Records: 1994 Another Collection of Home Recordings: Lou Barlow and Friends Mint: 2000
wasted pieces (with even -more- pieces!) Lou B's Acoustic Sentridoh. Alliday Special 2020 Soundtrack! Lou Barlow and Family Easter Special soundtrack. St. Patrick's Day 2021 soundtrack! Valentine's Day 2021 soundtrack! the new folk implosion (expanded) INSTRUMENTALS (from subsonic 6) the original losing losers. Emoh (2020 Reissue)
Wasted Pieces is the third solo album released by Lou Barlow as "Lou B's Acoustic Sentridoh"; "Sentridoh" is his solo home recording project; it was released by Shrimper Records in 1993 as cassette; in 2003 it was re-released as CD as "Lou B's Wasted Pieces '87-'93" that collects the bulk of the tracks from Wasted Pieces and Most of the Worst ...
10 nov 2003 · Lou B's Wasted Pieces '87-'93 has the cotton-mouthed, blunted folk vibe that Barlow essentially perfected, but the ratio of memorable songs to failed experiments is even lower than usual....
Winning Losers: A Collection of Home Recordings 89-93 is an album by Lou Barlow, released as Louis Barlow's Acoustic Sentridoh in 1994 in the USA by Smells Like Records. [2] [3] Critical reception. Rolling Stone deemed the album "nervously sweet hearth rock with strong madcap echoes of Syd Barrett." [6] .
