![FMS: Feature [Leonard Rosenman Dead at 83]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7 "FMS: Feature [Leonard Rosenman Dead at 83]")
1990
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Leonard Rosenman (September 7, 1924 – March 4, 2008) was an American film, television and concert composer with credits in over 130 works, including East of Eden, Rebel Without a Cause, Star Trek IV: The Voyage Home, Beneath the Planet of the Apes, Battle for the Planet of the Apes, Barry Lyndon, Race with the Devil, and the ...
Leonard Rosenman è stato un compositore statunitense. È autore di colonne sonore, musica classica e musica per la televisione. I suoi lavori più famosi comprendono Questa terra è la mia terra, Barry Lyndon, Un uomo chiamato Cavallo, RoboCop 2, L'altra faccia del pianeta delle scimmie, Rotta verso la Terra, Il Signore degli Anelli ...
Leonard Rosenman (1924-2008) was a prolific and versatile composer for film, TV and concert. He won two Oscars for his music for The Agony and the Ecstasy (1965) and wrote the scores for Star Trek IV, Barry Lyndon and La La Land.
- Composer, Music Department, Soundtrack
- September 7, 1924
- Leonard Rosenman
- March 4, 2008
6 mar 2008 · Leonard Rosenman, an Oscar-winning film composer who helped introduce avant-garde music to Hollywood movie scores, died on Tuesday in the Woodland Hills section of Los Angeles. He was 83 and a...
11 mar 2008 · The Independent pays tribute to Leonard Rosenman, who introduced modernism into Hollywood movie scores and worked with James Dean and Woody Guthrie. He also composed concert music, including a symphony inspired by dinosaurs.
Rosenman, Leonard. Nicola Campogrande. Compositore statunitense, nato a New York il 7 settembre 1924. Attratto dai postulati artistici della seconda scuola viennese, ha sempre mantenuto fede ai dettami estetici suggeriti da A. Schönberg, componendo colonne sonore che fanno dell'uso della dissonanza (e in taluni casi della dodecafonia) il loro ...
17 mar 2008 · The film's music, a first score by Leonard Rosenman, who has died aged 83, perfectly expressed this alienation. It did not underline the emotions of the story, but seemed integral to it.
