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2 giorni fa · The purchase was soon followed by a remarkable series of keyboard works: the Two-Part Inventions and Three-Part Sinfonias and the first volume of the Well-Tempered Clavier (both of which first appeared in the Clavier-Büchlein vor Wilhelm Friedemann Bach of 1720), the French Suites (which first appeared in the Clavier-Büchlein vor Anna Magdalena Bach of 1722), and most probably the bulk of ...
4 giorni fa · Wilhelm Friedemann Bach (22 de noviembre de 1710 en Weimar - 1 de julio de 1784 en Berlín) fue el segundo de los veinte hijos del célebre compositor Johann S...
3 giorni fa · As for the Trio by Wilhelm Friedemann Bach, its origin is even more unique. Written before 1740, it is written across a number of pages which carry counter-punctual efforts by Johann Sebastian and his son; Wilhelm Friedemann’s writing includes a Sonata for Two Flutes and Harpsichord, which is transcribed here for oboe – the pianist’s right hand taking on the role of the second flute.
2 giorni fa · Carl Philip Emanuel Bach (1714-1788) Sinfonia Wq. 182/5 in B minor for strings and continuo Pietro Antonio Locatelli (1695-1764) Concerto Grosso Op. 7/6 in E flat major (1741) Wilhelm Friedemann Bach (1710-1784) Concerto in F minor for harpsichord, strings and continuo Luigi Boccherini (1743-1805)
5 giorni fa · Wilhelm Friedemann Bach: Sechs Duette für zwei Flöten / Barthold Kuijken, Marc Hantai; Bach: Six Trio Sonatas / Robert King: The King’s Consort; Bach: Cantata No. 208 “Was mir behagt, ist nur die muntre Jagd” / Rudolf Lutz, J.S. Bach Foundation Orchestra; Queen of Baroque / Cecilia Bartoli
5 giorni fa · Klavierbüchlein für Wilhelm Friedemann Bach (1720): sort by NBA → V/5; Twelve Little Preludes: sort by BG → 36: 118; Neumeister Chorales by J. S. Bach (without BWV 601, 639, 719, 723, 737 and 751): sort by NBA → IV/9; Notebook for Anna Magdalena Bach (1722): sort by Name → Notebook A. M. Bach
3 giorni fa · Da wäre Wilhelm Friedemann (geboren 1710), wie sein Vater oft unangepasst und eigenwillig, aber, besonders nach dem Tod des Vaters, weitaus weniger seelisch stabil. Bis ans Lebensende blieb er dessen Kompositionsstil treu, doch selbst bei ihm entdeckt man Elemente des neuen, zur Klassik hinführenden Musikgeschmacks. Carl Philipp