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1. en.wikipedia.org › wiki › Charles_WaltersCharles Walters - Wikipedia

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   Charles Walters was an American director and choreographer who worked in MGM musicals and comedies from the 1940s to the 1960s. He was nominated for an Oscar for Lili (1953) and directed stars like Fred Astaire, Judy Garland, Frank Sinatra and Grace Kelly.

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3. it.wikipedia.org › wiki › Charles_WaltersCharles Walters - Wikipedia

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   Charles Walters (Brooklyn, 11 novembre 1911 – Malibù, 13 agosto 1982 [1]) è stato un regista, ballerino e coreografo statunitense

4. www.britannica.com › biography › Charles-WaltersCharles Walters | American Choreographer, Dancer & Film Director

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   9 ago 2024 · Learn about Charles Walters, who choreographed and directed MGM musicals such as Easter Parade, High Society, and The Unsinkable Molly Brown. Find out his biography, notable works, and awards from Britannica.

   • Autore: Michael Barson

5. www.imdb.com › name › nm0910199Charles Walters - Biography - IMDb

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   Charles Walters was a director and actor who specialized in musicals and comedies at MGM. He directed three actresses to Oscar nominations and worked with Judy Garland, Esther Williams and Busby Berkeley.

   • Data di nascita: November 17, 1911

   • Data di morte: August 13, 1982

6. www.nytimes.com › 1982/08/25 › obituariesCharles Walters, 68, Dancer Who Became Film Director

   www.nytimes.com › 1982/08/25 › obituaries

   25 ago 1982 · Charles Walters, who began his career as a dancer in ''New Faces of 1933'' and later became a prominent film director, died in his home in Malibu, Calif., on Aug. 13 after a long illness.

7. books.google.com › books › aboutCharles Walters : The Director Who Made Hollywood Dance - Google...

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   2 dic 2014 · From the trolley scene in Meet Me in St. Louis to Fred Astaire and Ginger Rogers's last dance on the silver screen to Judy Garland's tuxedo-clad performance of "Get Happy",...

8. www.jstor.org › stable › jCharles Walters: The Director Who Made Hollywood Dance on JSTOR

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   The expression is a cliché, uttered virtually every time an infant intuitively bounces to a musical beat. Yet in the case of Charles Walters, the overused idiom is remarkably accurate. He could not help himself; dance was within. This predisposition, he’d relate, started “even before my birth. ….