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Symbiopsychotaxiplasm: Take 2 1/2: Directed by William Greaves. With Audrey Heningham, Shannon Baker, Marcia Karp, Ndeye Ade Sokhna. In Central Park, 1968, a director shot scenes of a young couple whose marriage was falling apart - 35 years later they are back in Central Park as the director relentlessly pursues the ever-elusive ...
- (406)
- Documentary
- William Greaves
- 2005-01
Symbiopsychotaxiplasm: Take 2 ½ streaming? Find out where to watch online. 45+ services including Netflix, Hulu, Prime Video.
- William Greaves
- 1
After years of post-development limbo, the film saw a theatrical and DVD release in 2006 alongside its new sequel, Symbiopsychotaxiplasm: Take 2 1 ⁄ 2, which continues the narrative of two of the actors from the original 35 years later.
Film Info. United States. 174 minutes. Color. 1.33:1/1.78:1. English. Spine #360. Director-Approved Special Edition Features. High-definition digital transfers of both films, approved by director William Greaves, with uncompressed monaural soundtracks on the Blu-ray.
Directed by William Greaves. A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In “Take 2 1/2,” Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film’s progress.
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- William Greaves
20 gen 2005 · Overview. A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In "Take 2 1/2," Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film's progress.
4 dic 2006 · Symbiopsychotaxiplasm: Take 2 ½ combines material shot in 1968, and originally planned for Take Two, with an update shot thirty-five years later. Actors Audrey Henningham and Shannon Baker, who play the interracial couple in one of the “screen tests” at the end of Take One, are reunited as themselves and as their characters ...
