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  1. Andrea Parkins is an American composer, sound artist, performer and improvisational musician based in New York. She is known for her inventive explorations on the electric accordion, generative sound processing, and arrangements of objects and sound.

  2. Andrea Parkins is a Berlin-based sound artist, composer, and electroacoustic musician who engages with interactive electronics as compositional/performative process. She is known for her pioneering gestural/textural approach on her electronically processed accordion, and investigation of embodiment and chance with her custom-designed software ...

  3. Andrea Parkins is a Berlin-based sound artist, composer, and electroacoustic improviser who engages with interactive electronics as both material and process. Working with an array of sonic materials – amplified drawing tools, objects and surfaces, electronic feedback and custom-built software and acoustic instruments – her research ...

  4. Andrea Parkins is a Berlin-based sound artist, composer and electroacoustic improviser engaging with interactive electronics as both material and process. Her works include multi-channel sound installations, electroacoustic performances and compositions; and sound design for contemporary dance, film and intermedia performance.

  5. 13 mar 2021 · Andrea Parkins „bei der Arbeit“ zuzuschauen, ist allein schon ein Ereignis. Dass die in Pittsburgh geborene, in Berlin lebende Klangkünstlerin, Komponistin und elektroakustische Improvisatorin...

    • 19 min
    • 828
    • Klaeng Kollektiv
  6. “Two Rooms from the Memory Palace” re-imagines and captures the live, visceral impact of Andrea Parkins’ eponymously-titled immersive eight-channel fixed-media composition.

  7. ausland.berlin › artist › andrea-parkinsAndrea Parkins: ausland

    8 ott 2021 · Andrea Parkins. Andrea Parkins is a sound artist, composer and electroacoustic improviser who engages with interactive electronics as compositional and performative process. Known for her pioneering gestural/textural approach on her electronically-processed accordion, amplified objects, and self-