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Lady Ottoline Violet Anne Morrell (16 June 1873 – 21 April 1938) was an English aristocrat and society hostess. Her patronage was influential in artistic and intellectual circles, where she befriended writers including Aldous Huxley , Siegfried Sassoon , T. S. Eliot and D. H. Lawrence , and artists including Mark Gertler , Dora ...
Lady Ottoline Violet Anne Cavendish-Bentinck (coniugata Morrell) (East Court, 16 giugno 1873 – Royal Tunbridge Wells, 21 aprile 1938) è stata una nobildonna britannica. Amica del gruppo di intellettuali e artisti inglesi che avevano creato il Bloomsbury Group , lasciò un segno tangibile nella vita sociale e culturale tra la fine ...
17 apr 2024 · Lady Ottoline Morrell was a hostess and patron of the arts who brought together some of the most important writers and artists of her day. A woman of marked individuality and discernment, she was often the first to recognize a talent and assist its possessor—although not a few such relationships.
Lady Ottoline Morrell. (1873-1938), Patron of the arts; half-sister of 6th Duke of Portland; wife of Philip Edward Morrell. Sitter associated with 600 portraits. Artist associated with 1716 portraits.
Morrell, Ottoline (1873–1938) English patron of the arts, salonnière, antiwar activist, and memoirist.Name variations: Lady Ottoline Morrell. Born Ottoline Violet Anne Cavendish-Bentinck on June 16, 1873, in London, England; died on April 21, 1938, in London; only daughter and youngest child of Lt.-General Arthur Bentinck and Augusta Mary ...
She was a model for characters in novels. She promoted authors’ and artists’ work, and her great generosity was often abused. Noted for the originality of her dress, once described as looking like a bird of paradise caught in a high wind, Lady Ottoline was often ridiculed.
Lady Ottoline Morrell, the chatelaine of Garsington Manor outside Oxford, was a ferocious socialite, friend and lover of artists and writers, including Augustus John, whom she first met in 1906 and with whom she had a brief affair in 1908. He began this portrait in 1918. When it was exhibited in 1920, most people were critical of it.
