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  1. en.wikipedia.org › wiki › Tino_SehgalTino Sehgal - Wikipedia

    Tino Sehgal (/ ˈ s ɛ h ɡ əl /; German: [ˈzeːgaːl]; born 1976) is an artist of German and Indian descent, based in Berlin, who describes his work as "constructed situations". He is also thought of as a choreographer who makes dance for the museum setting.

  2. it.wikipedia.org › wiki › Tino_SehgalTino Sehgal - Wikipedia

    Tino Sehgal Burgert è un artista tedesco. È stato l'artista più giovane ad aver rappresentato, nel 2005 insieme a Thomas Scheibitz, la Germania alla Biennale di Venezia. Alcune tra le sue più importanti mostre sono state esposte al Stedelijk Museum, Museum für Moderne Kunst, Institute of Contemporary Arts, Kunsthaus Bregenz ...

  3. www.mariangoodman.com › artists › 62-tino-sehgalTino Sehgal | Marian Goodman

    1 ott 2019 · Renowned as one of the most important artists of his generation, Tino Sehgal's critical acclaim derives from his radical artistic practice that takes the form of 'constructed situations': live encounters between visitors and those enacting the work.

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  4. Una mostra di sculture umane di Tino Sehgal che mescolano arte, economia e danza in una villa storica. L'artista crea situazioni surreali e interattive con ballerini, attori e guardie del museo, dialogando con le opere dell'Ottocento e del Novecento.

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  5. 9 mag 2024 · Tino Sehgal (born 1976, London, England) is a British-born artist who created installations that were known as “constructed situations.” Sehgal was raised in France and Germany. He studied political economy in Berlin and pursued dance at the Folkwang University of the Arts in Essen, Germany.

    • Debra N. Mancoff
  6. A review of Tino Sehgal's sculptures, installations, and situations that involve human performers and interactions. The author explores the artist's use of language, sound, movement, and references to art history, and his rejection of documentation and representation.

  7. 14 dic 2008 · Influenced by his background in economics and contemporary dance, Tino Sehgal does not produce objects, but rather confronts viewers with peculiar, surreal situations staged by dancers, actors, and even museum guards.