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Kenneth Noland (Asheville, 10 aprile 1924 – Port Clyde, 5 gennaio 2010) è stato un pittore statunitense, di stile espressionista astratto. Biografia. Dal 1948 al 1949 lavora a Parigi con Ossip Zadkine e ritornato in patria si stabilisce a Washington dove insegna all'Institute of Contemporary Art, poi alla Catholic University.
Kenneth Noland (April 10, 1924 – January 5, 2010) was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s as a minimalist painter. Noland helped establish the Washington Color School movement.
Biografia. Kenneth Noland nasce nel 1924 ad Asheville, North Carolina, e muore nel 2010 a Port Clyde, Maine. Studia al Black Mountain College, vicino ad Asheville, e nel 1948 parte per Parigi per studiare Pittura e Scultura con Ossip Zadkine. Le sue prime opere risentono dell’influenza di Paul Klee, ma ben presto si allontana dall ...
Kenneth Noland (April 10, 1924 – January 5, 2010) was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s as a minimalist painter. Noland helped establish the Washington Color School movement.
View Kenneth Noland’s 1,405 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, prints and multiples, and works on paper for sale and learn about the artist.
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5 gen 2010 · Kenneth Noland. American Painter. Born: April 10, 1924 - Asheville, North Carolina. Died: January 5, 2010 - Port Clyde, Maine. Movements and Styles: Color Field Painting. , Post-Painterly Abstraction. , Washington Color School. , Abstract Art. "I think of painting without subject matter as music without words." 1 of 6. Summary of Kenneth Noland.
6 apr 2024 · Kenneth Noland was an American painter of the Abstract Expressionist school. He was one of the first to use the technique of staining the canvas with thinned paints and of deploying his colours in concentric rings and parallels, shaped and proportioned in relation to the shape of the canvas.
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