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Edmund Grainger (1906–1981) was an American film producer. He produced more than sixty films during his career, and also occasionally worked as an assistant director. During the 1930s he was employed by Universal Pictures. He worked for RKO during Howard Hughes' ownership of the studio.
Il produttore Edmund Grainger, già celebre per altri film di ambiente militare quali Iwo Jima, deserto di fuoco e I diavoli alati, poté realizzare questo film con il supporto dell' esercito americano, girando in Colorado e servendosi anche di riprese dal vero filmate in Corea durante la guerra.
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Edmund Grainger débute au sein de la Fox comme assistant-réalisateur, sur six films sortis de 1927 à 1930. Toujours à la Fox, il produit ses six premiers films en 1931-1932 (ex. : The Gay Caballero d'Alfred L. Werker en 1932, avec George O'Brien et Conchita Montenegro). Il est ensuite producteur chez Universal de 1934 à 1939 (ex. : Le Rayon invisib...
Comme assistant-réalisateur
1. 1927 : The Joy Girl d'Allan Dwan 2. 1929 : The Ghost talks de Lewis Seiler 3. 1930 : Man Trouble de Berthold Viertel
Ressources relatives à l'audiovisuel :Notice dans un dictionnaire ou une encyclopédie généraliste :He was replaced, however, by Tay Garnett because producer Edmund Grainger (famed for Sands of Iwo Jima and Flying Leathernecks) wanted a "bigger" name as director. The original actress chosen as leading lady was Claudette Colbert.
Wake of the Red Witch is a 1948 American adventure film directed by Edward Ludwig, produced by Edmund Grainger and starring John Wayne, Gail Russell, Gig Young, Adele Mara and Luther Adler. It is based upon the 1946 novel of the same name written by Garland Roark.
Il raggio invisibile è un film del 1936 diretto da Lambert Hillyer. È un film horror statunitense a sfondo fantascientifico e thriller con Boris Karloff, Bela Lugosi e Frances Drake.
The French Line is a 1953 American musical film starring Jane Russell made by RKO Radio Pictures, directed by Lloyd Bacon and produced by Edmund Grainger, with Howard Hughes as executive producer. The screenplay was by Mary Loos and Richard Sale, based on a story by Matty Kemp and Isabel Dawn.
