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Lucile Hadžihalilović ( Lione, 7 maggio 1961) è una regista, sceneggiatrice, montatrice, produttrice cinematografica e attrice francese . Indice. 1Biografia. 2Filmografia. 2.1Regista. 2.2Sceneggiatrice. 2.3Attrice. 2.4Produttrice. 2.5Montatrice. 3Note. 4Altri progetti. 5Collegamenti esterni. Biografia[modifica | modifica wikitesto]
Lucile Emina Hadžihalilović (born 7 May 1961) is a French writer and director of Bosnian descent. She is best known for the 1996 short film La Bouche de Jean-Pierre and the 2004 feature-length film Innocence, for which she became the first woman to win the Stockholm International Film Festival's Bronze Horse Award for Best Film.
Evolution ( French: Évolution) is a 2015 French science fiction horror - thriller film directed by Lucile Hadžihalilović. It was shown in the Vanguard section of the 2015 Toronto International Film Festival. [1] Plot. Nicolas is a sickly young boy living by the sea with his mother.
Innocence is a 2004 avant-garde coming-of-age psychological drama [2] film written and directed by Lucile Hadžihalilović, inspired by the 1903 novella Mine-Haha, or On the Bodily Education of Young Girls by Frank Wedekind, and starring Marion Cotillard.
Lucile Hadzihalilovic (également orthographié Lucile Hadžihalilović) est une réalisatrice, scénariste et productrice de cinéma française, née le 7 mai 1961 à Lyon . Biographie. Née à Lyon, Lucile Hadzihalilovic passe son enfance au Maroc jusqu'à l'âge de 17 ans et se passionne très tôt pour le cinéma de genre américain et italien.
Lucile Emina Hadzihalilovic was born on May 7, 1961 in Lyon, Rhône, France, to Bosnian parents and grew up in Morocco. She studied Art History and Film Directing at the IDHEC. She has been working in film industry since 1980's, as director, editor, writer and actress in both short and feature films.
6 ago 2022 · Drawing on the success of Jean-Pierre, Hadžihalilović was able to secure support for Innocence which traced the education of young children at an all-girls schooled whose teachings and rituals seemed grounded in a hidden logic and which formalised her distinctive style. Lucile Hadžihalilović’s models have the structure of allegories.
