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Sidney Gilliat ( Edgeley, 15 febbraio 1908 – Devizes, 31 maggio 1994) è stato un regista, sceneggiatore, produttore cinematografico e librettista britannico . Indice. 1 Biografia. 2 Filmografia. 2.1 Regista. 2.2 Sceneggiatore. 2.3 Produttore. 3 Note. 4 Bibliografia. 5 Collegamenti esterni. Biografia.
Sidney Gilliat (15 February 1908 – 31 May 1994) was an English film director, producer and writer. In the 1930s he worked as a scriptwriter, most notably with Frank Launder on The Lady Vanishes (1938) for Alfred Hitchcock, and Night Train to Munich (1940), directed by Carol Reed.
Sidney Gilliat, né le 15 février 1908 à Stockport et mort le 31 mai 1994 dans le Wiltshire, est un réalisateur, scénariste, et producteur britannique . Il a signé certaines de ses œuvres sous différents noms et prénoms, comme Sydney Gilliat ou Sidney Giliat.
Writer: The Great Manhunt. Sidney Gilliat, the English director, screenwriter, and producer, was born on February 15, 1908 in Edgely, Cheshire, England. He began his screen-writing career in the silent movie era, writing inter-titles, going uncredited for his contributions to Honeymoon Abroad (1928), Champagne (1928), and Week-End Wives (1929).
- Writer, Producer, Director
- February 15, 1908
- Sidney Gilliat
- May 31, 1994
Fortune Is a Woman is a 1957 black and white British-American film noir crime film directed by Sidney Gilliat and starring Jack Hawkins and Arlene Dahl. Its plot concerns an attempted insurance fraud that goes badly wrong. In the United States, it was released as She Played With Fire.
Green for Danger is a 1946 British thriller film, based on the 1944 detective novel of the same name by Christianna Brand. It was directed by Sidney Gilliat and stars Sally Gray, Trevor Howard, Rosamund John, Leo Genn, and Alastair Sim. The film was shot at Pinewood Studios in England.
Sidney Gilliat, the English director, screenwriter, and producer, was born on February 15, 1908 in Edgely, Cheshire, England. He began his screen-writing career in the silent movie era, writing inter-titles, going uncredited for his contributions to Honeymoon Abroad (1928), Champagne (1928), and Week-End Wives (1929).
