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Wide Sargasso Sea is a 1966 novel by Dominican-British author Jean Rhys. The novel serves as a postcolonial and feminist prequel to Charlotte Brontë's novel Jane Eyre (1847), describing the background to Mr. Rochester's marriage from the point-of-view of his wife Antoinette Cosway, a Creole heiress.
- October 1966
- Postmodern novel
Wide Sargasso Sea, novel by Jean Rhys, published in 1966. A well-received work of fiction, it takes its theme and main character from the novel Jane Eyre by Charlotte Brontë. The book details the life of Antoinette Mason (known in Jane Eyre as Bertha), a West Indian who marries an unnamed man in.
- The Editors of Encyclopaedia Britannica
Wide Sargasso Sea by British author Jean Rhys, published in 1966, is a compelling and complex novel that is meant to serve as a prequel to Charlotte Brontë's Jane Eyre. Set in Jamaica during the post-emancipation 1840s, the novel explores the life of Antoinette Cosway, a Creole woman who, in Rhys’s imagining, becomes the madwoman in the ...
A concise biography of Jean Rhys plus historical and literary context for Wide Sargasso Sea. Wide Sargasso Sea: Plot Summary. A quick-reference summary: Wide Sargasso Sea on a single page. Wide Sargasso Sea: Detailed Summary & Analysis. In-depth summary and analysis of every section of Wide Sargasso Sea. Visual theme-tracking, too.
24 lug 2021 · Il grande mare dei Sargassi (Wide Sargasso Sea) di Jean Rhys, pubblicato nel 1966, costituisce un caso letterario affascinante, seppur rientrando in un filone di sperimentazione narrativa secondario e relativamente poco sviluppato.
Il grande mare dei Sargassi è un romanzo postcoloniale di Jean Rhys, scrittrice britannica di origini caraibiche, pubblicato nel 1966. L’autrice era rimasta pressoché sconosciuta al grande pubblico da quando aveva fatto la sua prima apparizione con il romanzo Good Morning, Midnight pubblicato nel 1939 .
29 mag 2019 · When Wide Sargasso Sea, her last novel, was published, Jean Rhys (24 August 1890 – 14 May 1979) was described in The New York Times as the greatest living novelist. Such praise is overstated, but Rhys’s fiction, long overlooked by academic critics, is undergoing a revival spurred by feminist studies.
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